Social Invisibility and Diasporas in Anglophone Literature and Culture
eBook - ePub

Social Invisibility and Diasporas in Anglophone Literature and Culture

The Fractal Gaze

F. Kral

Share book
  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

Social Invisibility and Diasporas in Anglophone Literature and Culture

The Fractal Gaze

F. Kral

Book details
Book preview
Table of contents
Citations

About This Book

Social Invisibility and Diasporas in Anglophone Literature and Culture is a transdisciplinary study of social invisibility and diasporas which theorizes the differential in/visibility of diasporas through the prism of cultural productions (literature and the visual arts, including media studies) by both established artists and emerging ones.

Frequently asked questions

How do I cancel my subscription?
Simply head over to the account section in settings and click on “Cancel Subscription” - it’s as simple as that. After you cancel, your membership will stay active for the remainder of the time you’ve paid for. Learn more here.
Can/how do I download books?
At the moment all of our mobile-responsive ePub books are available to download via the app. Most of our PDFs are also available to download and we're working on making the final remaining ones downloadable now. Learn more here.
What is the difference between the pricing plans?
Both plans give you full access to the library and all of Perlego’s features. The only differences are the price and subscription period: With the annual plan you’ll save around 30% compared to 12 months on the monthly plan.
What is Perlego?
We are an online textbook subscription service, where you can get access to an entire online library for less than the price of a single book per month. With over 1 million books across 1000+ topics, we’ve got you covered! Learn more here.
Do you support text-to-speech?
Look out for the read-aloud symbol on your next book to see if you can listen to it. The read-aloud tool reads text aloud for you, highlighting the text as it is being read. You can pause it, speed it up and slow it down. Learn more here.
Is Social Invisibility and Diasporas in Anglophone Literature and Culture an online PDF/ePUB?
Yes, you can access Social Invisibility and Diasporas in Anglophone Literature and Culture by F. Kral in PDF and/or ePUB format, as well as other popular books in Literature & Asian Literary Criticism. We have over one million books available in our catalogue for you to explore.

Information

Year
2014
ISBN
9781137401397

Part I

Theorizing Invisibility Studies

1

Mapping the Invisible: Critical Perspectives on Invisibility

I am invisible, understand, simply because people refuse to see me. Like the bodyless heads you see sometimes in circus side shows, it is as though I have been surrounded by mirrors of hard, distorting glass. When they approach me, they see only my surroundings, themselves or figments of their imagination, indeed, everything and anything except me.
(Ralph Ellison, Invisible Man, 1952, 7)1
In the 60 year span between the publication of Ralph Ellison’s novel Invisible Man (1952) and the present day, the metaphor of invisibility, initially used by Ellison to describe the feeling that black Americans had of being second class citizens, has been taken up and applied to other minority groups both inside and outside the US. Set in pre-civil rights America, Ralph Ellison’s novel chronicles the trajectory of a black man who is aware that his ethnic conspicuousness consigns him to social invisibility in the eyes of white Americans with racial prejudices. The novel, which provides an insightful entry point into the complex dynamics of racial otherness evidences some of the salient traits of ethnic visibility turned into metaphorical invisibility as well as the contextual makeup and psychological consequences of the de facto ‘invisibility’ of the ethnically conspicuous other. The metaphorical meaning endorsed by visibility in this reputedly seminal text on race relations has traversed the fields of ethnic studies and postcolonial writing either explicitly or in a slightly more veiled manner. More recently the notion has been theorized by French philosopher Guillaume Le Blanc who acknowledges his intellectual debt to Ellison whilst probing further into the workings of social invisibility. In his book L’InvisibilitĂ© Sociale (Social Invisibility),2 Le Blanc lays the foundations for a study devoted to the forms and workings of invisibility; he also takes account of some of the methodological difficulties and potential pitfalls inherent in studying invisibility from the vantage point of academic disciplines; yet he asserts the potential of invisibility as a fully-fledged category in academic discourse.
Rather than limit our scope to Ralph Ellison, I propose to include Frantz Fanon and Percival Everett who constitute major landmarks for anyone interested in the study of the dynamics of ethnic visibility in Western nations. These three figures, each writing in radically different contexts, in both cultural but also historical and political senses, invite us to reflect on how the question of visibility is posed in places where racial discrimination has been made into state policy as well as in countries that have chosen to enforce a strict official anti-discrimination policy. Whilst Ellison’s text focused on the paradox of conspicuousness without social visibility (in the sense of social existence) in segregated America, Martinican French psychiatrist Frantz Fanon based his thought on a different socio-historical experience which combined his first-hand knowledge of Martinique as a black man, and the years he spent in Algeria from 1953 to 1957. In Black Skin White Masks he analyses the dynamics of alienation and the othering of the black man who feels objectified under the gaze of the white man and who gradually internalizes the stereotyped and monstrous interpretations of himself that the white man consciously or unconsciously reflects back onto him. The now famous example of the black man sitting on a train, observed by a little boy who tells his mother that he is scared of ‘the negro’ is used by Fanon to highlight the destructive impact of the white gaze on the black man and the influence of underlying stereotypes which account for the little boy’s reaction. The originality of Fanon’s contribution lies in his perceptive understanding of how the black man’s psyche is shaped by his subalternization under the gaze of the white man; a phenomenological approach to the nature and workings of this process is rather subtly combined with an understanding of how the subalternization of the black man affects and alters his personality in the long run. In this process, a phenomenology of subalternization complements an ontology of the ‘subalternized’ other, a coinage whereby I intend to stress the impact of marginalization on people from minority groups who then assimilate and internalize a negative self-image.
In his critical biography of Fanon, Frantz Fanon, A Life, David Macey (2000)3 stresses the importance of discourse and the way it determines a person’s perception of a racial other and reminds his readers that back in the late 1940s when Fanon was a student in France, the only stereotypes available at that time were those of the Banania negro (a ‘grinning negro’ figure used to advertise the chocolate drink Banania) or the grinning soldier. However the fact that Fanon decided to study medicine in Lyon, which had the reputation of being more conservative and less cosmopolitan than Paris, is a clear indication of Fanon’s determination to succeed without the support of his fellow Martinican countrymen. This tendency was later confirmed, Macey notices, by the fact that when Fanon was looking for a publisher for Black Skin White Masks, he chose to submit it to Seuil rather than get in touch with the editors of PrĂ©sence africaine, where it would probably have been met with more interest.4
Percival Everett’s novel Erasure (2001)5 raises similar issues though in a markedly different context, that of post-civil rights America, an era which later resulted in the emergence of identity politics and later saw the emergence of political correctness and its enforcement in areas linked with racial discrimination. In this novel an African-American literary author, Thelonius Ellison, who is tired of writing quality books which never become bestsellers, decides to assume another literary persona and write a novel in the style of the literature from the ghetto. It is paradoxically this book, which he disparages and which he wrote under a pen name, for which he is awarded a literary prize. Being awarded a prize puts him in a difficult position, first because he is one of the judges who have nominated the winner, but also because the award forces him to reflect on his commitment to the literary canon. America as it is represented in the novel is an arena for dissenting voices but one which requires that the voices should be clearly identified and labelled according to a known taxonomy. The black voice, in particular if it seeks to go public, for example by being published, needs to conform to the canon of a racially defined other. It cannot be a bourgeois voice but needs to be a voice from the ghetto. In other words one cannot be black without embracing the agenda of the black community as seen by the whites and one cannot hope to be published if one ventures outside the lucrative niche carved out by greedy publishers specialized in the so called ‘literature from the ghetto’ who are constantly on the look-out for emerging authors. The strength of the novel lies in its denunciation of the determinism imposed by this predefined visibility negotiated and economically profitable to both the publishing house and the Afro-American writer, which leaves no room for individual choices, and which also results in a cultural ghettoization of black people. This incentive for African-Americans to write themselves out of the canon ends up being just as deterministic and objectifying as the discrimination which the blacks traditionally suffered at the hands of the majoritarian white community.
What this brief recontextualization seems to suggest is the contextual nature of visibility. The three radically different contexts and the brief overview of the rationale of these three novels of diverging natures allow us to get a glimpse of some of the issues that surround visibility or the lack of it. Among them is the precariousness of human visibility and the way it is entangled in a more complex power struggle which directly impacts on the individual to the point of posing a threat to his integrity as a human being. There is however a slight problem in approaching the issue of visibility from the angle of race and ethnicity. It somehow narrows the scope down to the issue of race, leaving aside the larger issue of social invisibility understood in terms of economic precariousness and that of invisibility linked to the lack of recognition of civic rights and the absence of political or civic status, in other words the larger issue of visibility as a social phenomenon, which is what this book is about. If the trajectory of diasporas has traditionally been understood, analysed and theorized in terms of race and ethnicity rather than class or social identity, it is my belief that the latter preoccupations should enter the picture more forcefully than they have done in recent years.6 However the entry point provided by the works of Ellison, Fanon and Everett is of paramount importance in order to understand the complexity of the interaction between individuals and society as well as the importance of contextual parameters of a socio-economic and political nature.
Before going any further it is necessary to formulate a definition of invisibility in the broadest of terms in order to give a better definition to the scope and orientation of this inquiry into social invisibility and the diasporic sphere as well as provide a conceptual framework for a study devoted to this phenomenon. Indeed, the dialectics of social visibility and invisibility provides an effective paradigm whose interest as a critical tool extends far beyond the scope of ethnic studies, postcolonial and diasporic productions to cover a vast array of phenomena linked to politics and the showcasing of minorities, economics and the instrumentalization of less perceptible parts of the world population. The following discussion therefore seeks to trace the occurrences of invisibility in its various forms and in various arenas of visuality.

1.1 Economic invisibility and the ‘informal sector’

Among the various forms of invisibility, economic invisibility probably illustrates best the discrepancy between social conspicuousness and actual socio-economic impact. A classic example of economic invisibility is that of the ‘informal sector’, a formulation first employed by anthropologist Keith Hart in 1973, who was working on the urban poor in India. Hart’s groundbreaking inquiry into the invisible masses has paved the way for subsequent studies into other aspects of the shadow class. Among them is the work of anthropologist Breman, who studied the agrarian economy of several villages in south Gujarat (India) which he visited over a number of years.7 Breman was curious to find out what the people pushed out of agriculture became and to map their trajectory, which involved inquiring into their geographic and economic move away from agriculture. Both Hart’s and Breman’s work can be transposed from the rural and agrarian economies to the urban economy as well as to wider contexts and offer global paradigms. The masses in question can indeed be numbered in millions rather than in thousands, and the much publicized phenomenon of sweatshops in the southern hemisphere barely conceals an even more dramatic reality. Although figures fluctuate, and should therefore be viewed with a certain critical distance, the numbers involved are impressive; according to Mike Davis8 ‘the global informal working class [ . . . ] is about one billion strong, making it the fastest-growing, and most unprecedented social class on earth’ (Davis, 2006, 178). Davis’s pessimistic outlook on the growth of the informal sector is corroborated by many cultural analysts, including anthropologist Arjun Appadurai who has denounced the paradox of the economic growth of India going hand in hand with certain specificities of the Indian context, like child labour, which are generally deemed unacceptable in our day and age. Appadurai stresses the fact that in Bombay, a large part of the food service economy is dependent on child labour: ‘although Mumbai boasts of its high levels of school attendance, its gigantic restaurant and food service economy [is] almost completely dependent on a vast army of child labor’ (Appadurai, 2001, 27).9 These figures, which give some idea of the magnitude of the problem, do not necessarily spell out their human consequences as clearly as they might: among them are the economic exploitation of children, their lack of access to education, which in turn impacts on the literacy rate of a predominantly young population. In India still, the shadow class partly but not entirely overlaps with the population of slum dwellers, which poses the problem of their actual existence and territorialization, of their living conditions, of their health and safety, as well as of their prospects. Davis points out that ‘a recent study of slum children in Dhaka, for instance, discovered that ‘nearly half of boys and girls aged 10 to 14 were performing income-generating work’ and ‘only 7 percent of girls and boys aged 5 to 16 years attended school’. In her study of poverty in the Dhaka slums (Poverty and Vulnerability in Dhaka Slums, 2003) Jane Pryer traces the evolution of child labour in Bangladesh, its impact on the children but also the cultural reasons for child work,10 which as she insists is different from child labour11 and needs to be recontextualized in a tradition of child–mother contact in female-headed families where children, especially girls, follow their mothers to work.12 In 1994, according to the national census of the BBS, 12 percent of the Bangladeshi labour force was constituted of children under 14 years of age.13
De facto invisibility is sometimes linked to the fact that some individuals or groups of people lack an actual location for their work; this is the case with workers who work within structures that do not officially exist and are not officially recorded as hosting some form of economic activity, like those working from home. For years it was the case for women who were either doing small yet lucrative income-generating work from home, or who worked in a family business as secretaries or personal assistants, without necessarily being declared as employees.14 It is also the case of illegal immigrants or asylum seekers who do not wish to be seen and who would rather run the risk of being employed illegally and without any form of health cover than be sent home. And of course there are also other types of precarious and sometimes invisible masses whose administrative status makes them almost invisible; among them are the recently more mediatized masses of economic migrants such as Indians working in Dubai or the Emirates, or the Filipino women working in FITZs (Free international trade zones) whose numbers are hard to evaluate with any degree of accuracy.15
These few examples of subcategories of invisible masses are an open invitation to re-assess the phenomenon of visibility understood in broader terms and to inquire into the workings of what economists agree is an increasingly important parameter of today’s economic conjuncture, a phenomenon all the more difficult yet compelling to explore as it is characterized by a discrepancy, if not a polar opposition, between an absence of exterior markers and an incredible momentum. This phenomenon invites us to reflect on questions which extend far beyond the scope of economics into the political and ethical consequences of lives pushed outside the scene of visibility into a shadow existence, since these lives, undocumented and lived without any form of official existence are characterized by legal precariousness. The fact that they constitute seizable untapped resources of cheap labour available for ‘use’ at a low price, compatible with the logic of low cost production, explains why their precariousness is to some a small human cost to be paid for the democratization of certain goods (electronics for example).
Another issue of paramount importance with respect not only to these invisible masses but also to other more visible ones is the fact that they represent such cheap labour that they are in an ambiguous position. Vulnerable and invisible as they are, they nonetheless have a tremendous impact on workers in Western nations whose working conditions are threatened by the very existence of pockets of cheap labour likely to become instrumental in the logic of economic neoliberalism by working for a very low wage. The rather approximate character of the metaphor ‘pocket’ more broadly raises the issue of the status of these people who are not always perceived as a class, and yet who share common interests, and who challenge existing paradigms. In their preface to The Politics of Culture in the Shadow of Capital, Lisa Lowe, Richard Lloyd and Aihwa Ong explain that there is an urgent need to bridge the gap between the workers’ experience and our analytical constructs, for many of our existing paradigms fail to account for the new ways in which global capitalism is developing; often overlooked is the fact that capitalism relies heavily on mixed systems based on free-trade zones, subcontracting firms, and sweatshops, which have come to typify industrialization in Asia, Central America and elsewhere. Aiwha Ong explains that since 1973, and in the years that followed the world recession, new patterns of flexible accumulation have come into play as corporations struggle in an increasingly competitive global arena. In this context, it has become very difficult to map trajectories (mainly in geographic terms) of groups of workers such as female workers or workers from minor...

Table of contents