Australian Screen in the 2000s

Mark David Ryan, Ben Goldsmith, Mark David Ryan, Ben Goldsmith

• Publisher: Palgrave Macmillan
• Year: 2017
• Print ISBN: 9783319482989
• eBook ISBN: 9783319482996
• Topic: Media & Performing Arts
• Subtopic: Film & Video

This book provides coverage of the diversity of Australian film and television production between 2000 and 2015. In this period, Australian film and television have been transformed by new international engagements, the emergence of major new talents and a movement away with earlier films' preoccupation with what it means to be Australian. With original contributions from leading scholars in the field, the collection contains chapters on particular genres (horror, blockbusters and comedy), Indigenous Australian film and television, women's filmmaking, queer cinema, representations of history, Australian characters in non-Australian films and films about Australians in Asia, as well as chapters on sound in Australian cinema and the distribution of screen content. The book is both scholarly and accessible to the general reader. It will be of particular relevance to students and scholars of Anglophone film and television, as well as to anyone with an interest in Australian culture and creativity.

Table of contents

• Acknowledgements
• Contents
• Editors and Contributors
• List of Maps
• List of Tables
• Chapter 1 Australian Screen in the 2000s: An Introduction
• Chapter 2 Picking Up the Pieces: Contemporary Australian Cinema and the Representation of Australian Film History
• Part I Australian-International Screen
• Chapter 3 Australian Blockbuster Movies
• Chapter 4 UnAustralians: Australian Characters in Non-Australian Films
• Chapter 5 Abroad: Production Tracks and Narrative Trajectories in Films About Australians in Asia
• Chapter 6 Haunted Art House: The Babadook and International Art Cinema Horror
• Part II Representation, Narrative and Aesthetics
• Chapter 7 Gender Matters: Gender Policy and the Rewriting of the Mother–Daughter Narrative in Contemporary Australian Women’s Filmmaking
• Chapter 8 The Laughter and the Tears: Comedy, Melodrama and the Shift Towards Empathy for Mental Illness on Screen
• Chapter 9 ‘It Was the Summer When Everything Changed …’: Coming of Age Queer in Australian Cinema
• Chapter 10 Administering Sonic Shock in Samson and Delilah
• Part III Genre and Cycles
• Chapter 11 Australian Indigenous Screen in the 2000s: Crossing into the Mainstream
• Chapter 12 Carving Out an Australian Sensory Cinema
• Chapter 13 White Male History: The Genre and Gender of The Proposition
• Chapter 14 Rake: Australianising HBO-Style Television?
• Part IV Distribution and Exhibition
• Chapter 15 Eulogies for the Video Store: Remembering the Practices and Objects of the Rental Era
• Chapter 16 Feature Film Diversity on Australian Cinema Screens: Implications for Cultural Diversity Studies Using Big Data
• Index