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About this book
This book is a collection of essays that capture the artistic voices at play during a staging process. Situating familiar practices such as reimagining, reenactment and recreation alongside the related and often intersecting processes of transmission, translation and transformation, it features deep insights into selected dances from directors, performers, and close associates of choreographers. The breadth of practice on offer illustrates the capacity of dance as a medium to adapt successfully to diverse approaches and, further, that there is a growing appetite amongst audiences for seeing dances from the near and far past. This study spans a century, from Rudolf Laban's Dancing Drumstick (1913) to Robert Cohan's Sigh (2015), and examines works by Mary Wigman, Madge Atkinson (Natural Movement), Doris Humphrey, Martha Graham, Yvonne Rainer and Rosemary Butcher, an eclectic mix that crosses time and borders.
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Table of contents
- Foreword
- Acknowledgements
- Contents
- Notes on Contributors
- List of Figures
- Chapter 1 Introductions
- Chapter 2 Transmission: From Archive to Production Re-imagining LabanâContemporizing the Past, Envisioning the Future
- Chapter 3 Impure Transmissions: Traditions of Modern Dance Across Historical and Geographical Boundaries
- Chapter 4 Performing History: Wind Tossed (1936), Natural Movement and the Hyper-Historian
- Chapter 5 The TransmissionâTranslationâTransformation of Doris Humphreyâs Two Ecstatic Themes (1931)
- Chapter 6 Transmission as Process and Power in Grahamâs Chronicle (1936)
- Chapter 7 Transmitting Trio A (1966): The Relations and Sociality of an Unspectacular Dance
- Chapter 8 Silent Transformations in ChoreographyâMaking Over Time: Rosemary Butcherâs Practice of âLooking Back and Aheadâ
- Chapter 9 The Living Cultural Heritage of Robert Cohan
- Index