
- English
- PDF
- Available on iOS & Android
Legacies of the Degraded Image in Violent Digital Media
About this book
This book undertakes a concentrated study of the impact of degraded and low-quality imagery in contemporary cinema and real-world portrayals of violence. Through a series of case studies, the book explores examples of corrupted digital imagery that range from mainstream cinema portrayals of drone warfare and infantry killing, through to real-world recordings of terrorist attacks and executions, as well as perpetrator-created murder videos live-streamed on the internet. Despite post-modernist concerns of cultural inurement during the seminal period of digitalized and virtualized killing in the 1990s, real-world reactions to violent media indicate that our culture is anything but desensitized to these media depictions. Against such a background, this book is a concentrated study of how these images are created and circulated in the contemporary media landscape and how the effect and affect of violent material is impacted by the low-resolution aesthetic.
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Information
Table of contents
- Acknowledgements
- Contents
- Chapter 1 Introduction
- Chapter 2 They Shoot Pixels Don’t They? Killing Pixels from Patriot Games to Collateral Murder and Call of Duty
- Chapter 3 Performing Murder on Live Television and Social Media
- Chapter 4 Rethinking the Aesthetics of Terror Videos
- Chapter 5 The Aesthetics of Sousveillance: Redacted (2007)
- Chapter 6 Splats and Splashes: The Drone Warfare Genre and Digitally Mediated Trauma
- Chapter 7 Conclusion
- Index