Table of contents

1. Foreword
2. Contents
3. Editors and Contributors
4. List of Figures
5. Chapter 1 Introduction
6. Part I The Performing Body: Creativity and Technology in Performance
7. Chapter 2 Digital Performance and Creativity
8. Chapter 3 Metakimospheres
9. Chapter 4 Making and Breaking: Electronic Waste Recycling as Methodology
10. Chapter 5 Karen by Blast Theory: Leaking Privacy
11. Part II Designing, (Re)designing: Embodiment and Digital Creativity in Art Practices
12. Chapter 6 Bodies in Light: Mediating States of Presence
13. Chapter 7 The Embodiment of Time
14. Chapter 8 Machinising Humans and Humanising Machines: Emotional Relationships Mediated by Technology and Material Experience
15. Chapter 9 The Oxymoron of Touch: The Tactile Perception of Hybrid Reality Through Material Feedbacks
16. Part III Digital Aesthetics and Identity: Creativity in Fashion Design
17. Chapter 10 Post-industrial Fashion and the Digital Body
18. Chapter 11 I:OBJECT—Or the Case for Fashion Without Products
19. Chapter 12 Critical Interventions in Wearable Tech, Smart Fashion and Textiles in Art and Performance
20. Chapter 13 Giving Body to Digital Fashion Tools
21. Part IV Embodied Interaction: Digital Communication and Meaning Making in the Social Sciences
22. Chapter 14 Embodied Music Interaction: Creative Design Synergies Between Music Performance and HCI
23. Chapter 15 Digital Museum Installations: The Role of the Body in Creativity
24. Chapter 16 Playing at Doctors and Nurses: Technology, Play and Medical Simulation
25. Chapter 17 Methodological Innovation, Creativity and the Digital Body
26. Index