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National Myth and the First World War in Modern Popular Music
About this book
This book looks at the role of popular music in constructing the myth of the First World War. Since the late 1950s over 1,500 popular songs from more than forty countries have been recorded that draw inspiration from the War. National Myth and the First World War in Modern Popular Music takes an inter-disciplinary approach that locates popular music within the framework of 'memory studies' and analyses how songwriters are influenced by their country's 'national myths'. How does popular music help form memory and remembrance of such an event? Why do some songwriters stick rigidly to culturally dominant forms of memory whereas others seek an oppositional or transnational perspective? The huge range of musical examples include the great chansonniers Jacques Brel and Georges Brassens; folk maestros including Al Stewart and Eric Bogle; the socially aware rock of The Kinks and Pink Floyd; metal legends Iron Maiden and Bolt Thrower and female iconoclasts Diamanda GalƔs and PJ Harvey.
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Information
Table of contents
- Acknowledgements
- Contents
- List of Figures
- List of Tables
- Chapter 1: Introduction
- Chapter 2: National Myth andĀ theĀ First World War
- Chapter 3: Remembrance, Memory andĀ Popular Music
- Chapter 4: Words andĀ Music
- Chapter 5: The Voice ofĀ theĀ People
- Chapter 6: Butcherās Tales andĀ Gunnerās Dreams
- Chapter 7: Shrill Demented Choirs
- Chapter 8: Football inĀ No Manās Land
- Chapter 9: The Gospel According toĀ St Wilfred
- Chapter 10: Bombazine Dolls andĀ Orders fromĀ theĀ Dead
- Chapter 11: Conclusion: Music andĀ theĀ Centenary
- Bibliography
- Index