'There is nothing stronger than a broken woman who has rebuilt herself.' Hannah Gadsby, Nanette Multi-awardwinning Hannah Gadsby transformed comedy with their show Nanette, even as they declared that they were quitting stand-up. Now, they take us through the defining moments in their life that led to the creation of Nanette and their powerful decision to tell the truth - no matter the cost. Gadsby's unique stand-up special Nanette was a viral success that left audiences captivated by their blistering honesty and their ability to create both tension and laughter in a single moment. But while their worldwide fame might have looked like an overnight sensation, their path from open mic to the global stage was hard-fought and anything but linear. Ten Steps to Nanette traces Gadsby's growth as a queer person from Tasmania - where homosexuality was illegal until 1997 - to their ever-evolving relationship with comedy, to their struggle with adult diagnoses of autism and ADHD, and finally to the backbone of Nanette - the renouncement of self-deprecation, the rejection of misogyny, and the moral significance of truth-telling. Equal parts harrowing and hilarious, Ten Steps to Nanette continues Gadsby's tradition of confounding expectations and norms, properly introducing us to one of the most explosive, formative voices of our time.
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I had to know if the lawn was real. It looked too perfect to be made of organic matter, the vast green square around the picture-perfect pool had a uniformity that bordered on unsettling, every single blade of grass was as tall and as straight as its neighbour. Surely, I thought, it had to be plastic. But then again, that didnât make any sense. Fake grass is for people who are house-proud but water and/or time-poor.
Fake grass is not for the stupidly rich who have a household staff with a gardening division. I broke free of the mingling and quietly made my way to the edge of the path, dropped my serviette and, as I bent down to pick it up, I brushed my hand over the mysterious lawn. Fuck me. It was real. I made my way back to the party, with a new mystery to solve: Why would you manicure real grass to make it look fake?
I knew I was behaving abnormally. And by âabnormalâ, I donât mean my failure to blend in with all the celebrities and Hollywood power players who had gathered in Eva Longoriaâs unnervingly perfected garden. Personally, I think that itâs normal to be abnormal in the midst of that strange a milieu. I didnât feel at all bad that Iâd rocked up in jeans and a T-shirt while everyone else was wrapped in fancy, because I donât think itâs abnormal for a Hollywood outsider to not know that a dress code is an actual code that has to be cracked. The invitation had said dress for brunch, and because brunch is not a real meal, I took that to mean I didnât have to make a real effort. So, I felt perfectly normal about my inability to match the ethereal magnificence of Janelle MonĂĄe. What is not normal, however, is abruptly walking away from a conversation with Janelle MonĂĄe to satisfy a sudden urge to pat some strange-looking lawn.
It was not the first time Iâd been distracted by underfoot landscaping decisions in the presence of celebrity. At the Netflix Emmys party a few months earlier, I couldnât think about anything other than the white carpet. What kind of monster would choose white carpet for an outdoor event?
The outdoors, no matter how fancy, is just not the natural habitat of carpetâwhite or otherwise. The issue plagued me so doggedly that I failed to notice I was in the middle of what could have easily been a genuine fever dream.
When John Stamos introduced himself to me and gushed glowingly about my work, I could only watch his mouth move and hope he didnât notice that my mind was elsewhere. The only thing I really wanted to talk about was under our feet: What do you reckon will happen to this carpet tomorrow? Will it have a life beyond this event, Sir Stamos? It was only much laterâmonths in factâthat I was able to process the fact that I had been approached by Uncle Jesse because he knew who I was and wanted to let me know that he liked my work. There is nothing reasonable or logical about that set of facts.
When Jodie Foster asked to have her photo taken with me, I failed to be as flattered as I should have been because I was too worried about all the damage the carpet was doing to the turf underneath it. And when I was introduced to three of the Queer Eye boys, I was not curious about the absence of the other two, the only thing on my mind was how it was possible that the white carpet could still be so white hours into a crowded schmooze-and-booze fest.
I couldnât accept that it was one single piece of carpet, the area was huge and it didnât have a straight-edged perimeter like an indoor room would, but I was having trouble finding any joins. Even I knew, however, that it would be inappropriate to get down on my knees and start sweeping around with my hands to feel it out, so I decided to make my way to the edge and see if I could find some answers there. That was when I bumped into Norman Lear. He turned around and apologised to me. What a nice man, I thought, and smiled back as he introduced himself, which was just as well, because I had no idea who he was. I made a note to google him later and then politely left to resume my quest, failing to seize my opportunity to pick the brains of the king of television sitcoms himself.
My obsession with the carpet situation was finally broken when I got a tap on the shoulder by a very small woman.
âAre you Hannah Gadsby?â
I nodded, praying that she would introduce herself, because I had no idea who she was, but she simply nodded back and then announced, âJennifer Aniston would like to meet you.â I expected that the introduction would take place where I stood, but the small woman instead told me to follow her before turning abruptly and disappearing into the crowd. How curious, I thought; this was not an invitation, it was a summons. Intrigued, I trotted after her, forgetting all about the white carpet.
Jennifer Aniston greeted me with great enthusiasm and incredible warmth, which is not at all what I expected from somebody who curates their own mingling experience without moving an inch. If that were me, I would surely be messing with people.
After Jennifer Aniston told me how excited she was to meet me, I told her that I was also very excited to meet her. I was being polite, of course, I was not excited, I was terrified. I am autistic, I donât know how to navigate small talk with my best friend,
It had the rhythm of a compliment, but really, it was just a fact. As a fact, it might have been an insult but somehow, Jennifer Aniston managed to make it sound like enthusiastic approval. It was shocking nonetheless, and I forgot myself, and replied more bluntly than appropriate: âWhy are you telling me this?â My question gave her pause, and as she did, I began to regret my whole existence. âI donât know,â she laughed. I laughed too. It seemed like the polite thing to do. She continued, âItâs just that I was on location and everyone kept telling me that I had to see Nanette, and I didnât have the chance and when I heard you were here, I just wanted . . .â She trailed off, almost embarrassed, but I was just relieved that I wasnât the only one who had no idea what the endgame was. She grabbed my hands as if to reassure us both. âI will watch it! And I know I will love it,â she promised, offering me a clear path out of the awkwardness, which I did not take. âBut what if you donât? What if you hate it?â She patted my hands and replied, âI wonât tell you!â Classic LA.
This was my first-ever
Emmys party and I have to say, I think I did a pretty good job at not making a buffoon of myself. Unlike with my brunch couture disaster, I came close to cracking the dress code, Iâd had a shower, but I still managed to bring a raggedy incongruence to my presence. I put it down to the fact that my gown had not been made for the occasion and I was wearing my own shoes. I was not wearing a gown, of course, I was wearing my only suit. But you know what I mean. My only regret is that I did not stay long enough to use the bathroom. I wanted to know what kind of strange flooring decisions had been made for the occasion of fancy people abluting.
The show that Jennifer Aniston had not yet seen was my stand-up comedy special, Nanette. When it had dropped on Netflix on 19 June 2018, it made such a big splash that within a few months Iâd become the talk of the town, and by that I mean THE TOWN. Iâd...
Table of contents
Cover
Title
Copyright
Introduction
Step 1: Epilogue
Step 2: Foundation mythology
Step 3: The formative years
Step 4: The wilderness years
Step 5: The bell curve jar
Step 6: Whirl, interrupted
Step 7: All part of the soup
Step 8: Gathering strands
Step 9: Womenâs work
Step 10: Nanette
Prologue
Acknowledgements
ABout the author
About the type
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