Shortlisted for the Royal Society Science Book Prize 2019 A magisterial history of calculus (and the people behind it) from one of the world's foremost mathematicians. This is the captivating story of mathematics' greatest ever idea: calculus. Without it, there would be no computers, no microwave ovens, no GPS, and no space travel. But before it gave modern man almost infinite powers, calculus was behind centuries of controversy, competition, and even death. Taking us on a thrilling journey through three millennia, professor Steven Strogatz charts the development of this seminal achievement from the days of Archimedes to today's breakthroughs in chaos theory and artificial intelligence. Filled with idiosyncratic characters from Pythagoras to Fourier, Infinite Powers is a compelling human drama that reveals the legacy of calculus on nearly every aspect of modern civilisation, including science, politics, medicine, philosophy, and much besides.
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THE BEGINNINGS OF mathematics were grounded in everyday concerns. Shepherds needed to keep track of their flocks. Farmers needed to weigh the grain reaped in the harvest. Tax collectors had to decide how many cows or chickens each peasant owed the king. Out of such practical demands came the invention of numbers. At first they were tallied on fingers and toes. Later they were scratched on animal bones. As their representation evolved from scratches to symbols, numbers facilitated everything from taxation and trade to accounting and census taking. We see evidence of all this in Meso-potamian clay tablets written more than five thousand years ago: row after row of entries recorded with the wedge-shaped symbols called cuneiform.
Along with numbers, shapes mattered too. In ancient Egypt, the measurement of lines and angles was of paramount importance. Each year surveyors had to redraw the boundaries of farmersā fields after the summer flooding of the Nile washed the borderlines away. That activity later gave its name to the study of shape in general: geometry, from the Greek gÄ, āearth,ā and metrÄs, āmeasurer.ā
At the start, geometry was hard-edged and sharp-cornered. Its predilection for straight lines, planes, and angles reflected its utilitarian origins ā triangles were useful as ramps, pyramids as monuments and tombs, and rectangles as tabletops, altars, and plots of land. Builders and carpenters used right angles for plumb lines. For sailors, architects, and priests, knowledge of straight-line geometry was essential for surveying, navigating, keeping the calendar, predicting eclipses, and erecting temples and shrines.
Yet even when geometry was fixated on straightness, one curve always stood out, the most perfect of all: the circle. We see circles in tree rings, in the ripples on a pond, in the shape of the sun and the moon. Circles surround us in nature. And as we gaze at circles, they gaze back at us, literally. There they are in the eyes of our loved ones, in the circular outlines of their pupils and irises. Circles span the practical and the emotional, as wheels and wedding rings, and they are mystical too. Their eternal return suggests the cycle of the seasons, reincarnation, eternal life, and never-ending love. No wonder circles have commanded attention for as long as humanity has studied shapes.
Mathematically, circles embody change without change. A point moving around the circumference of a circle changes direction without ever changing its distance from a center. Itās a minimal form of change, a way to change and curve in the slightest way possible. And, of course, circles are symmetrical. If you rotate a circle about its center, it looks unchanged. That rotational symmetry may be why circles are so ubiquitous. Whenever some aspect of nature doesnāt care about direction, circles are bound to appear. Consider what happens when a raindrop hits a puddle: tiny ripples expand outward from the point of impact. Because they spread equally fast in all directions and because they started at a single point, the ripples have to be circles. Symmetry demands it.
Circles can also give birth to other curved shapes. If we imagine skewering a circle on its diameter and spinning it around that axis in three-dimensional space, the rotating circle makes a sphere, the shape of a globe or a ball. When a circle is moved vertically into the third dimension along a straight line at right angles to its plane, it makes a cylinder, the shape of a can or a hatbox. If it shrinks at the same time as itās moving vertically, it makes a cone; if it expands as it moves vertically, it makes a truncated cone (the shape of a lampshade).
Circles, spheres, cylinders, and cones fascinated the early geometers, but they found them much harder to analyze than triangles, rectangles, squares, cubes, and other rectilinear shapes made of straight lines and flat planes. They wondered about the areas of curved surfaces and the volumes of curved solids but had no clue how to solve such problems. Roundness defeated them.
Infinity as a Bridge Builder
Calculus began as an outgrowth of geometry. Back around 250 BCE in ancient Greece, it was a hot little mathematical startup devoted to the mystery of curves. The ambitious plan of its devotees was to use infinity to build a bridge between the curved and the straight. The hope was that once that link was established, the methods and techniques of straight-line geometry could be shuttled across the bridge and brought to bear on the mystery of curves. With infinityās help, all the old problems could be solved. At least, that was the pitch.
At the time, that plan must have seemed pretty far-fetched. Infinity had a dubious reputation. It was known for being scary, not useful. Worse yet, it was nebulous and bewildering. What was it exactly? A number? A place? A concept?
Nevertheless, as weāll see soon and in the chapters to come, infinity turned out to be a godsend. Given all the discoveries and technologies that ultimately flowed from calculus, the idea of using infinity to solve difficult geometry problems has to rank as one of the best ideas anyone ever had.
Of course, none of that could have been foreseen in 250 BCE. Still, infinity did put some impressive notches in its belt right away. One of its first and finest was the solution of a long-standing enigma: how to find the area of a circle.
A Pizza Proof
Before I go into the details, let me sketch the argument. The strategy is to reimagine the circle as a pizza. Then weāll slice that pizza into infinitely many pieces and magically rearrange them to make a rectangle. That will give us the answer weāre looking for, since moving slices around obviously doesnāt change their area from what they were originally, and we know how to find the area of a rectangle: we just multiply its width times its height. The result is a formula for the area of a circle.
For the sake of this argument, the pizza needs to be an idealized mathematical pizza, perfectly flat and round, with an infinitesimally thin crust. Its circumference, abbreviated by the letter C, is the distance around the pizza, measured by tracing around the crust. Circumference isnāt something that pizza lovers ordinarily care about, but if we wanted to, we could measure C with a tape measure.
Another quantity of interest is the pizzaās radius, r, defined as the distance from its center to every point on its crust. In particular, r also measures how long the straight side of a slice is, assuming that all the slices are equal and cut from the center out to the crust.
Suppose we start by dividing the pie into four quarters. Hereās one way to rearrange them, but it doesnāt look too promising.
The new shape looks bulbous and strange with its scalloped top and bottom. Itās certainly not a rectangle, so its area is not easy to guess. We seem to be going backward. But as in any drama, the hero needs to get into trouble before triumphing. The dramatic tension is building.
While weāre stuck here, though, we should notice two things, because they are going to hold true throughout the proof, and they will ultimately give us the dimensions of the rectangle weāre seeking. The first observation is that half of the crust became the curvy top of the new shape, and the other half became the bottom. So the curvy top has a length equal to half the circumference, C/2, and so does the bottom, as shown in the diagram. That length is eventually going to turn into the long side of the rectangle, as weāll see. The other thing to notice is that the tilted straight sides of the bulbous shape are just the sides of the original pizza slices, so they still have length r. That length is eventually going to turn into the short side of the rectangle.
The reason we arenāt seeing any signs of the desired rectangle yet is that we havenāt cut enough slices. If we make eight slices and rearrange them like so, our picture starts to look more nearly rectangular.
In fact, the pizza starts to look like a parallelogram. Not bad ā at least itās almost rectilinear. And the scallops on the top and bottom are a lot less bulbous than they were. They flattened out when we used more slices. As before, they have curvy length C/2 on the top and bottom and a slanted-side length r.
To spruce up the picture even more, suppose we cut one of the slanted end pieces in half lengthwise and shift that half to the other side.
Now the shape looks very much like a rectangle. Admittedly, itās still not perfect because of the scalloped top and bottom caused by the curvature of the crust, but at least weāre making progress.
Since making more pieces seems to be helping, letās keep slicing. With sixteen slices and the cosmetic sprucing-up of the end piece, as we did before, we get this result:
The more slices we take, the more we flatten out the scallops produced by the crust. Our maneuvers are producing a sequence of shapes that are magically homing in on a certain rectangle. Because the shapes keep getting closer and closer to that rectangle, weāll call it the limiting rectangle.
The point of all this is that we can easily find the area of this limiting rectangle by multiplying its width by its height. All that remains is to find that height and width in terms of the circleās dimensions. Well, since the slices are standing upright, the height is just the radius r of the original circle. And the width is half the circumference of the circle; thatās because half of the circumference (the crust of the pizza) went into making the top of the rectangle and the other half got used on the bottom, just as it did at every intermediate stage of working with the bulbous shapes. Thus the width is half the circumference, C/2. Putting everything together, the area of the limiting rectangle is given by its height times its width, namely, A = r Ć C/2 = rC/2. And since moving the pizza slices around did not change their area, this must also be the area of the original circle!
This result for the area of a circle, A = rC/2, was first proved (using a similar but much more careful argument) by the ancient Greek mathematician Archimedes (287ā212 BCE) in his essay āMeasurement of a Circle.ā
The most innovative aspect of the proof is the way infinity came to the rescue. When we had only four slices, or eight, or sixteen, the best we could do was rearrange the pizza into an imperfect scalloped shape. After an unpromising start, the more slices we took, the more rectangular the shape became. But it was only in the limit of infinitely many slices that it became truly rectangular. Thatās the big idea behind calculus. Everything becomes simpler at infinity.
Limits and the Riddle of the Wall
A limit is like an unattainable goal. You can get closer and closer to it, but you can never get all the way there.
For example, in the pizza proof we were able to make the scalloped shapes more and more nearly rectangular by cutting enough slices and rearranging them. But we could never make them genuinely rectangular. We could only approach that state of perfection. Fortunately, in calculus, the unattainability of the limit usually doesnāt matter. We can often solve the problems weāre working on by fantasizing that we can actually reach the limit and then seeing what that fantasy implies. In fact, many of the greatest pioneers of the subject did precisely that and made great discoveries by doing so. Logical, no. Imaginative, yes. Successful, very.
A limit is a subtle concept but a central one in calculus. Itās elusive because itās not a common idea in daily life. Perhaps the closest analogy is the Riddle of the Wall. If you walk halfway to the wall, and then you walk half the remaining distance, and then you walk half of that, and on and on, will there ever be a step when you finally get to the wall?
The answer is clearly no, because the Riddle of the Wall stipulates that at each step,...
Table of contents
- Cover
- Title
- Copyright
- Contents
- Introduction
- 1. Infinity
- 2. The Man Who Harnessed Infinity
- 3. Discovering the Laws of Motion
- 4. The Dawn of Differential Calculus
- 5. The Crossroads
- 6. The Vocabulary of Change
- 7. The Secret Fountain
- 8. Fictions of the Mind
- 9. The Logical Universe
- 10. Making Waves
- 11. The Future of Calculus
- Conclusion
- Acknowledgments
- Illustration Credits
- Notes
- Bibliography
- Index
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