Freeman's Love
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Freeman's Love

John Freeman

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eBook - ePub

Freeman's Love

John Freeman

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About This Book

Day by day, tweet by tweet, it often feels like our world is run on hate. Invective. Cruelty and sadism. But is it possible the greatest and most powerful force is love? In the newest issue of this acclaimed series, Freeman ' s Love asks this question, bringing together literary heavyweights like Richard Russo, Anne Carson, Sandra Cisneros, Louise Erdrich, Haruki Murakami, Tommy Orange and Nobel Prize winner Olga Tokarczuk alongside emerging writers such as Andres Felipe Solano and Semezdin Mehmedinovic.Together, the pieces comprise a stunning exploration of the complexities of love, tracing it from its earliest stirrings, to the forbidden places where it emerges against reason, to loss so deep it changes the color of perception. In a time of contentiousness and flagrant abuse, this issue promises what only love can bring: a balm of complexity and warmth.

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Information

Year
2020
ISBN
9781611858914

Snowflake

SEMEZDIN MEHMEDINOVIĆ
TRANSLATED FROM THE BOSNIAN
BY CELIA HAWKESWORTH
‘Love is a form of forgetting.’
—Richard Hell
When they carried her out of our flat into the rainy day, she was in pain and barefoot, so she turned and told me to bring her some shoes. I picked up the first ones I found. I drove behind the ambulance in which she was travelling towards the hospital, glancing from time to time at the white trainers on the passenger seat. Rain and the monotonous sound of the wipers. Canvas trainers are not for a rainy day. Sanja was in the red vehicle in front of me, her shoes were following her.
In the hospital, two doctors asked her synchronised questions and she answered. Questions about her allergies, about her medical history, she answered with wide-open eyes in the face of the authority of the two men in their white coats, as though she were taking an exam. And then one asked:
‘Do you smoke?’
‘Yes,’ she said, ‘but only two or three cigarettes a day.’
She’s no good at lying; in situations like this she will sincerely confess everything. When I heard her answer the doctor’s question, I thought that may well have been the case: at work she probably smoked two or three cigarettes, but she’d kept it from me, because she was anxious not to revive my desire for tobacco (in the past I had been pretty dependent). After my heart attack, five years ago, she too stopped smoking, out of solidarity, or at least she didn’t light a cigarette in my presence. She had smoked ‘two or three cigarettes a day’ all her life, and it had never become a real addiction.
More than twenty-four hours had passed since that conversation with the doctors and now it had become clear why she had said she was a smoker: she had suffered a stroke and one of its consequences was forgetting. The stroke had damaged her so-called short-term memory, so that she’d forgotten the last three years when she no longer went out onto the balcony to smoke.
She looks at her arm, which she can only move with difficulty, and asks: ‘What’s happened to me, Sem?’
‘Yesterday,’ I say, ‘I was making coffee, you’d gone to the bathroom, everything was all right, it was raining. As I was pouring water into the machine I heard a cry from the bathroom. I thought you’d fallen, but that wasn’t it, your arm was hurting, you said it was tingling and you couldn’t feel your fingers. You didn’t want us to call an ambulance, but you weren’t getting any better, so I did call. They came, and after a quick examination, decided to take you to hospital. I drove behind the red ambulance and when I reached the hospital, you were already in bed, a nurse was giving you morphine, you were already having a transfusion, then they took you away, with your bed, to a different room where they did a CT scan. It turned out that you were very anaemic so they sent you to the oncology department, as they thought you had cancer. The CT showed that you had a clot in an artery near your left shoulder, and they said it had caused a stroke, or rather a series of small, mini-strokes in the peripheral microvascular branches on the left side of your brain. And now, because you’re anaemic, they don’t know how to treat you. A stroke is treated with blood thinners, but the reason for your anaemia is potentially an internal bleed. So now, if they put you on thinners, it would exacerbate the bleed and that would be a serious problem . . .’
She looks at me anxiously, but she has already forgotten what she asked me, and has already forgotten my reply, and now she asks again: ‘What has happened to me?’
The first night in the hospital, she slept and woke in short bursts, her sleep was shallow. She woke up, looked at me with an expression of disappointment on her face, and asked:
‘Is Daddy angry with me?’
‘Are you asking whether your father is angry?’
‘Yes, he’s angry with me and that’s why he’s not coming home . . .’
‘Listen,’ I said, ‘your father died four or five years ago.’
She thought for a while, it seemed she had remembered, then she put her head on the pillow again and went back to sleep. What had actually happened? She’d woken up in her hospital bed as a little girl of five. That was a time capsule, a trauma of fifty years earlier, and now it was alive in her: her father wasn’t coming home because he was angry with her. Oh, my little frightened girl!
Her father. I never met him, although we lived in the same town for sixteen long years. He never tried to contact his daughter, nor did he ever show any kind of interest in her. That was all important to me, of course, but I didn’t ask, I left it up to her to talk about it or not. And she rarely mentioned him. So I know nothing about him, apart from her incidental, sparse anecdotes. One was from her early childhood. They had a caravan somewhere near the coast. During the night he came with an unknown woman, woke his daughter and took her outside, so that she spent the night in the rain. A little girl at night, in the rain. Nothing connects me to him, apart from the fact that he marked my life indirectly, influenced it and altered my personality over time. Through his relationship with his daughter, he formed her hostility towards the whole male species. We have lived together for thirty years, and all that time she has been wary of me. I never saw him, but I bear that man as my personal burden. I’m tired of him. And I’m used to him. The other image I have of her father is connected with Libya. Her memory of Africa, where she lived on the sensitive cusp between childhood and youth, was bright and consoling. She would often say: ‘I’d like to go back to Africa.’ That was where she spent her last summer with both parents. Remembering Libya, she would always mention her father: ‘He immediately felt at home there, he quickly learned Arabic, and began to make friends with the local people.’ Then she’d talk indifferently, as though describing a stranger. Later, when he left, she didn’t miss him. We’re now on the cusp of old age, but that doesn’t mean that at fifty-one one stops being a child. All these years, she hasn’t missed him, that concrete man, but a father, one who ought by biological imperative to be on her side, when a daughter needs protection and security.
She woke up a little while ago as a five-year-old girl who had blamed herself fifty years earlier because her daddy hadn’t come home for days.
* * *
I keep finding her white trainers in different places. Maybe the nurses move them? I haven’t moved them. Or else they move around the ward on their own, impatient to get out of there as soon as possible. Yesterday, with her bag and white trainers, I came through the transparent hospital door that opens in a circle, asked directions to the emergency room, intending to wait for the medication that would cure the pain in her arm, and then help her to tie the laces on her white trainers, and hold her hand as we crossed the car park to our car. We’d drive home slowly, return to our everyday concerns, finish the tasks we’d begun in the kitchen: turn on the coffee machine into which I had already poured water, spooned the coffee . . . But that wouldn’t happen, the doctors would meet us with bad news, she’d be settled in the oncology ward, and I’d stay beside her all night, like a loyal dog.
It all happened too fast. The doctors stated that, in all probability, she had cancer. I held her hand while she slept, and she clasped mine tightly, because she was dreaming about something. And I thought, she wasn’t dying, because dying people no longer dream! A ridiculous thought, but I held onto her till the morning, because there was no one there who could console me. The warmth of her hand and her whole sleeping body was the only acceptable reality for me.
All my life I have borne the burden of my meaningless name. But I came to terms with that early on, convinced it was after all just a name, that it didn’t matter what a boat was called, just that it could sail, and that we fill the being bearing our name with the glow of our being. It was a consoling thought. It’s only today, in my fifty-sixth year, that I have completely accepted and identified with my name. This is why: The doctor asked her: What year is this? Which month? Where are we now? She looked at him and had no reply; she had forgotten the year and the month and the place. Then the doctor pointed at me, sitting beside her bed, ‘And who is this man?’ For a moment she settled her gaze, she appeared to be looking right through me, and I felt a chill run through my whole body. I thought: she’s forgotten me. But then her face experienced a total transformation, and she looked at me as though she had saved me from non-existence, or as though she had just given birth to me, and with an expression of the purest love she said: ‘Semezdin, my Semezdin.’ And that was the moment when my name filled with meaning. I was her Semezdin. That is my love story, and my whole life.
All of a sudden bodies in a hospital become distorted. The nurse who injects her with morphine looks pear-shaped. Her head is miniscule in comparison with the rest of her body. It’s probably due to some inner optic problem of mine, which recurs whenever I find myself in a hospital. That is, I see human bodies as defective and incomplete. Perhaps because in hospital a body is transformed from a subject into an object. But as soon as I get outside, my gaze will become normal and I’ll see people the way they presumably are. So a hospital becomes in my eyes like a crooked mirror, which distorts bodies. And then it seems to me that it’s the presence of people that makes this world imperfect, when it’s otherwise beautiful and amazing!
H. Gallasch, my friend from work, brought us food from an Italian restaurant, then she took me outside the hospital to breathe some fresh air. Through the big revolving door we went slowly out into the rain. Everything in the hospital is slowed down, adapted to the movements of the patient. Time slows down as well. From our ward, you had to pass through a labyrinth of corridors in order to come out into the rain. ‘It’s just as well you aren’t a smoker,’ said H. ‘Otherwise you’d be popping in and out for a smoke.’ I didn’t stay long outside, it was a cold April day, we said goodbye, and I went back inside through the door that revolved so slowly. I glanced at the paper sack of food in my hand and saw an image of Venice showing a palace and bridge with a gondola passing under it, and suddenly the revolving door became a time capsule.
Venice. The night before last I was reading an essay about Venice by Sergio Pitol, his first encounter with the town, which he saw through a fog because he had lost his glasses somewhere on the way. I read that two nights ago, and it seems that was all in the distant past, or in some other life. And while I was reading, I could smell cement, because a few hours earlier at work, my friend Santiago Chillari had been showing me photographs of the inside of an old building on one of the Venetian canals, which he and his family are restoring with the intention of turning it into a hotel; the photos were of workmen scraping the walls, stripping off the old paint, with building materials, sacks of cement around them on the floor . . . After reading this piece about Venice, I wrote one about Aleš Debeljak, my friend who died tragically two months ago. I thought about him and jotted down memories of our encounters. We used to meet often, speak on the phone, exchange emails. We got to know each other in the early nineteen-eighties, but it seems to me that our contact became pure friendship only last year: for a few days in October at a literary conference in Richmond, we shared a common balcony in our hotel and we chewed over our two pasts in lengthy conversations. I went through my email to find his last sentence to me. His last message ended with the announcement: ‘This evening I’m taking our dog on our regular walk beside the Venice-Budapest train-line.’ A poet! He managed to encompass a whole cultural space within the boundaries of a ‘regular’ evening stroll.
The door described a complete circle and I stepped back, into the hospital . . .
In the morning as I was washing my face, I spotted in the mirror some white strands of hair on my forehead. Only two days have passed since we got here and I’m already going grey.
When the nurse comes into the ward to give her an injection, Sanja says: ‘You smell nice,’ to please her, to establish human contact with a small compliment before the pain.
I think there’s something deeply problematic about the way treatment is managed in a hospital. Every ten minutes people come to check Sanja’s name and date of birth, to scan the barcode on the plastic armband round her right wrist, to take her pulse, blood pressure, temperature, take blood samples, knock her knee with a rubber hammer . . . It’s torture by sleep deprivation, and it could all be done less frequently, so that the patients have time to catch their breath, to fall asleep, to have some amount of rest, at least during the night. A hospital ward is a torture chamber. I think hospitals ought to sign the Geneva Convention and stick rigorously to the rules.
I put my own T-shirts on her, because they’re bigger and more comfortable than hers. I’ve got one here that’s the colour of the September sky in Sarajevo, on a sunny, cloudless day. That’s the one she likes best.
It’s three in the morning now. Through the high hospital window I count the planes descending from the night sky to the airport, the lights from their windows merging with the lights from the windows of houses in Arlington. She opened her eyes briefl...

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