2023 Jazz Journalists Association (JJA) Jazz Awards for Books of the YearâHonorable Mention Recipient
On December 4, 1957, Miles Davis?revolutionized film soundtrack production, improvising the score for Louis?Malle's Ascenseur?pour?l'échafaud. A cinematic harbinger of the French New Wave,?Ascenseur?challenged mainstream filmmaking conventions, emphasizing experimentation?and creative collaboration.?It was in this?environment?during the late 1950s to 1960s, a brief "golden age" for jazz in film, that many independent filmmakers?valued improvisational techniques,?featuring soundtracks from such seminal figures as John Lewis, Thelonious Monk,?and Duke Ellington. But what of jazz in film today??
Improvising the Score: Rethinking Modern Film Music through Jazz provides an original,?vivid?investigation of?innovative?collaborations between renowned contemporary jazz artists and prominent independent filmmakers. The book explores how?these?integrative jazz-film productions challenge us to rethink the possibilities of?cinematic music production.?In-depth case studies?include collaborations between Terence Blanchard and Spike Lee (Malcolm X,?When the Levees Broke), Dick Hyman and Woody Allen (Hannah and Her Sisters), Antonio Sånchez and Alejandro Gonzålez Iñårritu (Birdman), and Mark?Isham?and Alan Rudolph (Afterglow).?
The first book of its kind, this study examines jazz artists' work in film from a sociological perspective, offering rich, behind-the-scenes analyses of their unique collaborative relationships with filmmakers. It investigates how jazz artists negotiate their own "creative labor," examining the tensions between improvisation and the conventionally highly regulated structures, hierarchies, and expectations of filmmaking. Grounded in personal interviews and detailed film production analysis,?Improvising the Score?illustrates the dynamic possibilities of integrative artistic collaborations between jazz, film, and other contemporary media, exemplifying its?ripeness for?shaping and invigorating twenty-first-century arts, media, and culture.

- 214 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
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Subtopic
Jazz MusicTable of contents
- Cover
- IMPROVISING THE SCORE
- Title
- Copyright
- Dedication
- CONTENTS
- ACKNOWLEDGMENTS
- INTRODUCTION: JAZZ GOES TO THE MOVIES FROM âAUTHENTICITYâ TO INNER CIRCLE
- CHAPTER1: WHEN STRANGERS MEET STRUCTURES, TENSION, AND NEGOTIATIONS IN JAZZ/FILM COLLABRATIONS
- CHAPTER 2: âNOT A LOT OF PEOPLE WOULD GO FOR THATâ RISK AND EXPERIMENTATION IN THE IMPROVISED SOUNDTRACKS OF BIRDMAN AND AFTERGLOW
- CHAPTER 3: âHONEST, TRUE PORTRAYALSâ TERENCE BLANCHARD, SPIKE LEE, AND THE RACIAL POLITICS OF JAZZ SCORING
- CHAPTER 4: âA FILM DIRECTORâS DREAMâ DICK HYMAN PLAYS THE PERSONAL FOR WOODY ALLEN
- CONCLUSION: MILES AHEAD A NEW WAY OF MAKING MOVIE MUSIC?
- NOTES
- BIBLIOGRAPHY
- ABOUT THE AUTHOR
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Yes, you can access Improvising the Score by Gretchen L. Carlson in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Jazz Music. We have over 1.5 million books available in our catalogue for you to explore.