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Illusion and Realism – The Game with the Spectator in Dutch Art 1580–1660
About this book
The book is a study on Dutch painting, drawing and printmaking of the 17th century, focused on interlocking its descriptive realism with the visual strategy of illusion. The author analyzes this relationship as a conjunction rather than an opposition. Illusionistic compositional devices were current not only in mythological, biblical and allegorical images but also in proper realistic representations of the world. At the same time, many visual inventions, which included illusionistic concepts, were presented with persuasive realism of the forms. Thus, different seventeenth-century Dutch artists – such as Hendrick Goltzius, Hendrick Vroom, Rembrandt, Vermeer – attempted to produce «open images» and to conduct a visual game with their beholders.
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Information
Table of contents
- Cover
- Table of Contents
- I. Between Description and Illusion of Reality. An Introduction to Dutch Art
- II. Wonders of the Art and Wonders of Nature: Reality and Illusion
- III. New Topography. Realism and Fantasy. A Game of Conventions
- Conclusions
- Notes
- Selected Bibliography
- Index of the Historical Persons
- List of Illustrations
- Photo Credits