
Thinking Revolution Through Film
On Audiovisual Stagings of Political Change
- 233 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
This book aims to redefine the relationship between film and revolution. Starting with Hannah Arendt's thoughts on the American and French Revolution, it argues that, from a theoretical perspective, revolutions can be understood as describing a relationship between time and movement and that ultimately the spectators and not the actors in a revolution decide its outcome. Focusing on the concepts of 'time, ' 'movement, ' and 'spectators, ' this study develops an understanding of film not as a medium of agitation but as a way of thinking that relates to the idea of historicity that opened up with the American and French Revolution, a way of thinking that can expand our very notion of revolution. The book explores this expansion through an analysis of three audiovisual stagings of revolution: Abel Gance's epic on the French Revolution Napoléon, Warren Beatty's essay on the Russian Revolution Reds, and the miniseries John Adams about the American Revolution. The author thereby offers a fresh take on the questions of revolution and historicity from the perspective of film studies.
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Information
Table of contents
- Title Page
- Copyright
- Contents
- Acknowledgments
- 1âIntroduction
- 2âThe Theory of Revolution: Prolegomena
- 3âThe âMachine Which Thinks Temporallyâ
- 4âNapolĂ©on: The Sublime Conceptualization of Revolution
- 5âReds: The Russian Revolution in Hollywood
- 6âJohn Adams: Before the Birth Comes the Revolution
- 7âConclusion
- Name Index
- Film Index