
- 592 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
The “masterful” (The Wall Street Journal), “invaluable” (Los Angeles Times) first authoritative biography of August Wilson, the most important and successful American playwriting of the late 20th century, by a theater critic who knew him.
August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.
Through his brilliant use of vernacular speech, Wilson developed unforgettable characters who epitomized the trials and triumphs of the African American experience. He said that he didn’t research his plays but wrote them from “the blood’s memory,” a sense of racial history that he believed African Americans shared. Author and theater critic Patti Hartigan traced his ancestry back to slavery, and his plays echo with uncanny similarities to the history of his ancestors. She interviewed Wilson many times before his death and traces his life from his childhood in Pittsburgh (where nine of the plays take place) to Broadway. She also interviewed scores of friends, theater colleagues and family members, and conducted extensive research to tell the “absorbing, richly detailed” (Chicago Tribune) story of a writer who left an indelible imprint on American theater and opened the door for future playwrights of color.
August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.
Through his brilliant use of vernacular speech, Wilson developed unforgettable characters who epitomized the trials and triumphs of the African American experience. He said that he didn’t research his plays but wrote them from “the blood’s memory,” a sense of racial history that he believed African Americans shared. Author and theater critic Patti Hartigan traced his ancestry back to slavery, and his plays echo with uncanny similarities to the history of his ancestors. She interviewed Wilson many times before his death and traces his life from his childhood in Pittsburgh (where nine of the plays take place) to Broadway. She also interviewed scores of friends, theater colleagues and family members, and conducted extensive research to tell the “absorbing, richly detailed” (Chicago Tribune) story of a writer who left an indelible imprint on American theater and opened the door for future playwrights of color.
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Yes, you can access August Wilson by Patti Hartigan in PDF and/or ePUB format, as well as other popular books in Literature & Literary Biographies. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Title Page
- Dedication
- Epigraph
- Prologue
- Chapter One: The Blood’s Memory
- Chapter Two: The Crossroads of the World
- Chapter Three: Something Is Not Always Better Than Nothing
- Chapter Four: A Period of Reinvention
- Chapter Five: A Road Marked with Signposts
- Chapter Six: Learning to Listen
- Chapter Seven: The Launchpad of American Theater
- Chapter Eight: Living on Mother’s Prayer
- Chapter Nine: A Fastball on the Outside Corner
- Chapter Ten: Shining Like New Money
- Chapter Eleven: What Do You Do with Your Legacy?
- Chapter Twelve: Pick Up the Ball
- Chapter Thirteen: “You a Big Man”
- Chapter Fourteen: The Ground on Which I Stand
- Chapter Fifteen: A Master Jitney Driver
- Chapter Sixteen: The Struggle Continues
- Chapter Seventeen: An Uphill Battle in the Basement
- Chapter Eighteen: Keeping the Tradition Alive
- Chapter Nineteen: Wherever You Are, I’m Here
- Photographs
- Afterword
- Author’s Note
- Acknowledgments
- About the Author
- Order of Productions
- Notes
- Bibliography
- Index
- Copyright