The Collected Essays of Robert Creeley

Robert Creeley

• Publisher: De Gruyter
• Year: 1989
• Print ISBN:
  9783112658017
• eBook ISBN:
  9783112658024
• Topic: Literature
• Subtopic: Literary Criticism in Poetry
• Index: Literature

No detailed description available for "The Collected Essays of Robert Creeley".

Table of contents

• Contents
• Introduction
• I HEROES/ELDERS
• Introduction to Penguin Selected Whitman
• Hart Crane and the Private Judgment
• The Letters of Hart Crane, Edited by Brom Weber
• A Note on Ezra Pound
• Why Pound!?!
• The Release
• William Carlos Williams: Selected Essays
• A Character for Love
• The Fact
• Foreword to The Manuscripts and Letters of William Carlos Williams, by Neil Baldwin and Steven L. Meyers
• "paradise/our/speech . . ."
• Louis Zukofsky: All: The Collected Short Poems, 1923-1958
• A Note
• All Ears Hear Here
• For L.Z.
• A Personal Note
• A Note on Basil Bunting
• Basil Bunting
• H. D.
• Here
• II THE COMPANY
• Introduction to The New Writing in the USA
• Charles Olson: Y & X
• Charles Olson: In Cold Hell, in Thicket
• Preface to Mayan Letters, by Charles Olson
• Charles Olson: The Maximus Poems, 1—10
• Olson & Others: Some Orts for the Sports
• Some Notes on Olson's Maximus
• Introduction to Charles Olson: Selected Writings I
• Introduction to Charles Olson: Selected Writings II
• "A Foot Is to Kick With"
• "An Image of Man . . .": Working Notes on Charles Olson's Concept of Person
• Charles Olson's Masterwork
• "A light, a glory, a fair luminous cloud"
• "To disclose that vision particular to dreams"
• Preface to Robert Duncan: A Descriptive Bibliography, by Robert J. Bertholf
• "An intensely singular art"
• Edward Dorn in the News
• Edward Dorn's Geography
• Preface to Selected Poems, by Edward Dorn
• The New World
• For Michael
• Preface to Against the Silences, by Paul Blackburn
• "How Is It Far If You Think It?"
• III THE WRITING LIFE
• Kenneth Patchen: Fables £s? Other Little Tales
• A Note on Canadian Poetry
• Canadian Poetry 1954
• D. H. Lawrence: Studies in Classic American Literature
• Witter Bynner: Journey with Genius
• Louis-Ferdinand Céline: Guignol's Band & John Hawkes: The Goose on the Grave
• "By God, Pomeroy, you here!"
• Waiting for Godot
• Ramón Sender: Two Novels
• On Love
• The Journals of Jean Cocteau
• Kenneth Rexroth: In Defense of the Earth
• Edward Dahlberg: The Sorrows of Priapus
• Evergreen Review, Nos. 1 and 2
• "To Build Castles in Spain"
• "Her Service Is Perfect Freedom"
• A New Testament
• Ways of Looking
• The Fascinating Bore
• Preface to Sticks and Stones, by George Bowering
• "Think what's got away..."
• The Beat Voznesensky
• Judson Crews
• A Note for Thread and Fielding Dawson
• A Note for Kenneth Irby
• Frederick Eckman: The Epistemologa of Loss
• A Note for These Poems...
• Rainer Gerhardt: A Note
• Introduction to Thongs, by Alex Trocchi
• AM
• Introduction to Krazy Katl The Unveiling & Other Stories, by Fielding Dawson
• For Diane
• Foreword to The Sterile Honeycomb, by Arthur Axelrod
• Gee Gerry G...
• Lew
• A Note for Hilda Morley: A Blessing Outside Us
• Foreword to Sojourner Microcosms, by Anselm Hollo
• Introduction to The Manner Music, by Charles Reznikoff
• Preface to Nolo Contendere, by Judson Crews
• Preface to The Blind Receptionist and Other Poems, by Robert J. Richkin
• Foreword to Running Grass: Poems 1970-1977, by Peter Levitt
• Xmas as in Merry
• Poetry of Commitment
• First Prize
• First Prize
• Ted Berrigan's Death
• William Corbett: Two Books
• No Matter What: A Note for Collected Poems, by William Corbett
• An Afterword to Splendide-Hôtel, by Gilbert Sorrentino
• The Gentle on the Mind Number
• With Crusoe, on Familiar Shores
• Kenneth Koch's Selected Poems, 1950-1982
• Gone Fishing
• From the Language Poets
• A True Poet
• Preface to The Leafless American, by Edward Dahlberg
• Foreword to The Collected Poems of Marsden Hartley
• Foreword to Trumpets from the Islands of Their Eviction, by Martin Espada
• IV ARTISTS
• On the Road: Notes on Artists 8c Poets, 1950-1965
• Divers Sentiments
• René Laubiès: An Introduction
• A Note on Franz Kline
• Philip Guston: A Note
• Harry Callahan: A Note
• A Note
• Feedback: "Contemporary Voices in the Arts"
• John Chamberlain
• Frank Stella: A Way to Go
• "Mehr Licht . .."
• Ecce Homo
• Three Films
• Bill the King
• "Some Place Enormously Moveable": The Collaboration of Arakawa and Madeline H. Gins
• Introduction to Larry Bell: New Work
• Memories of John
• My New Mexico
• Jim Dine/Five Themes
• Face It
• Seeing Things: Preface to Scopophilia, by Gerard Malanga
• Foreword to The Poet Exposed, Portraits by Christopher Felver
• V AUTOBIOGRAPHY AND POETICS
• A Note on the Objective
• Notes for a New Prose
• How to Write a Novel
• To Define
• A Dilemma
• A Note
• A Note on the Local
• A Quick Graph
• "Statement" for the Paterson Society
• Why Bother?
• A Sense of Measure
• "Poems are a complex"
• A Statement about the Poem "The Name"
• Notes Apropos "Free Verse"
• "I'm given to write poems"
• The Black Mountain Review
• The Writer's Situation
• Writing
• On the New Cultural Conservatism
• The Creative
• Inside Out
• Foreword to Robert Creeley: An Inventory, 1945—1970, by Mary Novik
• Last Night
• Was That a Real Poem or Did You Just Make It Up Yourself?
• A Note for Hello
• Letter from Berlin
• Berlin, Etc.
• Form
• Index