- 104 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
Tomás Gutiérrez Alea's Memories of Underdevelopment (1968) is a classic of Cuban revolutionary culture, and is hailed as a prime example of a radical style of 1960s political filmmaking that became known worldwide as Latin American "new cinema."
Darlene J. Sadlier's detailed study approaches this much-written-about film from a new perspective. Her analysis situates the film in its historical context, considering how Cuban political history affected and informed the production of the film, particularly its use of archival footage. She discusses the film as an adaptation of Edmundo Desnoes's novel Memorias del subdesarrollo (1965), exploring how the novel itself is "re-written" in significant ways by the film.
Sadlier goes on to analyse the curious opening of the film on an outdoor scene of Afro-Cubans dancing to the "new" music of Pello del Afrokán, arguing that this opening scene prefaces the film's exploration of both class and race. She focuses on the unique style of the film, particularly the use of voiceover, music and documentary footage to show how the themes of ennui, isolation, writing, and remembering are depicted. In doing so, she highlights the film's lasting impact and its role in defining Latin American "new cinema".
Darlene J. Sadlier's detailed study approaches this much-written-about film from a new perspective. Her analysis situates the film in its historical context, considering how Cuban political history affected and informed the production of the film, particularly its use of archival footage. She discusses the film as an adaptation of Edmundo Desnoes's novel Memorias del subdesarrollo (1965), exploring how the novel itself is "re-written" in significant ways by the film.
Sadlier goes on to analyse the curious opening of the film on an outdoor scene of Afro-Cubans dancing to the "new" music of Pello del Afrokán, arguing that this opening scene prefaces the film's exploration of both class and race. She focuses on the unique style of the film, particularly the use of voiceover, music and documentary footage to show how the themes of ennui, isolation, writing, and remembering are depicted. In doing so, she highlights the film's lasting impact and its role in defining Latin American "new cinema".
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Memories of Underdevelopment by Darlene J. Sadlier in PDF and/or ePUB format, as well as other popular books in Médias et arts de la scène & Film et vidéo. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- BFI Film Classics
- Title Page
- Contents
- Acknowledgments
- Introduction
- 1 Some Historical and Cinematic Contexts
- 2 Alea as Auteur
- 3 A Novel and Its Translation
- 4 Portrait of a Nobody
- 5 Sergio and Women
- 6 The Intellectual and the Revolution
- 7 The Intellectual and the Law
- 8 Cuba in Crisis
- 9 A Note on Reception
- Notes
- Credits
- Bibliography
- eCopyright