- 256 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Architecture is more than buildings and architects. It also involves photographers, writers, advertisers and broadcasters, as well as the people who finance and live in the buildings. Using the career of the critic J. M. Richards as a lens, this book takes a new perspective on modern architecture. Richards served as editor of The Architectural Review from 1937 to 1971, during which time he consistently argued that modernism was integrally linked to vernacular architecture, not through style but through the principle of being an anonymous expression of a time and public spirit. Exploring the continuities in Richards's ideas throughout his career disrupts the existing canon of architectural history, which has focused on abrupt changes linked to individual 'pioneers', encouraging us to think again about who is studied in architectural history and how they are researched.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover
- Half-title page
- Series page
- Title page
- Copyright page
- Epigraph
- Contents
- Plates
- Figures
- Acknowledgements
- Abbreviations
- Introduction
- 1: Critical connections: Jim Richards's network, 1924–38
- 2: What is wrong with architecture? The Architectural Press, the profession and the architectural public
- 3: ‘Cranks and laymen’: propaganda for modern architecture, 1935–41
- 4: The Castles on the Ground: reconstruction, public participation and the future of modernism, 1941–51
- 5: Stocktaking: the contesting voices of architectural criticism, 1951–61
- 6: ‘Life is right, the architect is wrong’: public participation and architectural criticism, 1962–73
- Postscript
- Bibliography
- Index
- Color Plates