Dynamic Symmetry

The Greek Vase

Jay Hambidge

• Publisher: Braunfell Books
• Year: 2023
• eBook ISBN: 9781805231035
• Topic: History
• Subtopic: Ancient History
• Index: History

Hambidge's highly detailed work analyzing the intimate details of Dynamic Symmetry as ideally exemplified in the Greek Vase.
"SOME twenty years ago, the writer, being impressed by the incoherence of modern design and convinced that there must exist in nature some correlating principle which could give artists a control of areas, undertook a comparative study of the bases of all design, both in nature and in art. This labor resulted in the determination of two types of symmetry or proportion, one of which possessed qualities of activity, the other of passivity. For convenience, the active type was termed dynamic symmetry, the other, static symmetry. It was found that the passive was the type which was employed most naturally by artists, either consciously or unconsciously; in fact, no design which would be recognized as such—unless, indeed, it were dynamic—would be possible without the use, in some degree, of this passive or static type. It is apparent in nature in certain crystal forms, radiolaria, diatoms, flowers and seed pods, and has been used consciously in art at several periods.
The principle of dynamic symmetry is manifest in shell growth and in leaf distribution in plants. A study of the basis of design in art shows that this active symmetry was known to but two peoples, the Egyptians and the Greeks; the latter only having developed its full possibilities for purposes of art. The writer believes that he has now recovered, through study of natural form and shapes in Greek and Egyptian art, this principle for the proportioning of areas."-Introduction.

Table of contents

• Title page
• TABLE OF CONTENTS
• THE RUTHERFORD TROWBRIDGE MEMORIAL PUBLICATION FUND
• ACKNOWLEDGMENT
• DEDICATION
• LIST OF PLATES
• FOREWORD
• VITRUVIUS ON GREEK SYMMETRY
• PREDICTION BY EDMOND POTTIER IN 1906 RELATIVE TO GREEK SYMMETRY
• CHAPTER ONE: THE BASIS OF DESIGN IN NATURE
• CHAPTER TWO: THE ROOT RECTANGLES
• CHAPTER THREE: THE LEAF
• CHAPTER FOUR: ROOT RECTANGLES AND SOME VASE FORMS
• CHAPTER FIVE: PLATO’S MOST BEAUTIFUL SHAPE
• CHAPTER SIX: A BRYGOS KANTHAROS AND OTHER POTTERY EXAMPLES OF SIMILAR RECTANGLE SHAPES
• CHAPTER SEVEN: A HYDRIA, A STAMNOS, A PYXIS AND OTHER VASE FORMS
• CHAPTER EIGHT: FURTHER ANALYSES OF VASE FORMS
• CHAPTER NINE: SKYPHOI
• CHAPTER TEN: KYLIKES
• CHAPTER ELEVEN: VASE ANALYSES, CONTINUED
• CHAPTER TWELVE: STATIC SYMMETRY
• APPENDIX: NOTES