Painting as an Art
About this book
One of the twentieth century's most influential texts on philosophical aesthetics
Painting as an Art is acclaimed philosopher Richard Wollheim's encompassing vision of how to view art. Transcending the traditional boundaries of art history, Wollheim draws on his three great passionsâphilosophy, psychology, and artâto present an illuminating theory of the very experience of art. He shows how to unlock the meaning of a painting by retrievingâalmost reenactingâthe creative activity that produced it. In order to fully appreciate a work of art, Wollheim argues, critics must bring a much richer conception of human psychology than they have in the past. This classic book points the way to discovering what is most profound and subtle about paintings by major artists such as Titian, Bellini, and de Kooning.
Frequently asked questions
- Essential is ideal for learners and professionals who enjoy exploring a wide range of subjects. Access the Essential Library with 800,000+ trusted titles and best-sellers across business, personal growth, and the humanities. Includes unlimited reading time and Standard Read Aloud voice.
- Complete: Perfect for advanced learners and researchers needing full, unrestricted access. Unlock 1.4M+ books across hundreds of subjects, including academic and specialized titles. The Complete Plan also includes advanced features like Premium Read Aloud and Research Assistant.
Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Information
Table of contents
- Cover
- Title
- Copyright
- Dedication
- Contents
- Preface
- I. What the artist does
- II. What the spectator sees
- III. The spectator in the picture: Friedrich, Manet, Hals
- IV. Painting, textuality, and borrowing: Poussin, Manet, Picasso
- V. Painting, omnipotence, and the gaze: Ingres, the Wolf Man, Picasso
- VI. Painting, metaphor, and the body: Titian, Bellini, De Kooning, etc
- Conclusion
- Notes
- List of illustrations
- Index
