Film, Negation and Freedom: Capitalism and Romantic Critique explores cinema in relation to the critical tradition in modern philosophy and its heritage in Romantic aesthetics.
Synthesising a variety of discursive fields and traditions - including Early German Romanticism, Frankfurt School critical theory and the aesthetic philosophy of Jacques Rancière - Film, Negation and Freedom outlines a radical new approach to film by re-examining the work of Arthur Penn and Lindsay Anderson. A distinction between Light and Dark Romanticism is introduced as a means of interpreting cinema's relationship with capitalism, as well as dualistic concepts such as stillness and motion, passivity and activity, pain and pleasure. Film, Negation and Freedom revitalises our understanding of modern audio-visual media, as well as the aesthetic, philosophical and political conditions of Romantic subjectivity, artistic practice and spectatorship.
- 264 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
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Table of contents
- Cover
- Half-Title
- Title
- Contents
- List of figures
- Acknowledgements
- Introduction
- Part One
- 1 No way out: Romanticism in the films of Arthur Penn and Lindsay Anderson
- 2 Romanticism after Auschwitz: The tradition of critical philosophy
- 3 Empty infinities: Freedom and the doctrine of action
- Part Two
- 4 The artist’s calling: Mickey One (1965)
- 5 Enemies of promise: O Lucky Man! (1973)
- 6 Dialectic of enlightenment: The Missouri Breaks (1976)
- 7 The tyranny of spectacle: Britannia Hospital (1982)
- Appendix
- Bibliography
- Index
- Copyright
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Yes, you can access Film, Negation and Freedom by Will Kitchen in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film History & Criticism. We have over 1.5 million books available in our catalogue for you to explore.