Movies and the Modern Psyche

Sharon Packer MD

• Publisher: Praeger
• Year: 2007
• Print ISBN: 9780275993597
• eBook ISBN: 9781573567282
• Edition: 1
• Topic: Media & Performing Arts
• Subtopic: Film & Video

By looking at the interactions between cinema and psychology, Packer offers readers clear and basic insights into some of the most fundamental reasons why film is such an important influence upon our lives today. Movies and the Modern Psyche first describes the basic concepts of psychoanalysis, experimental psychology, behavioral conditioning, and hypnosis, which have all played major roles in the histories of both film and psychiatry. It then goes on to discuss the recent rise in film therapy, drug treatments, treatment for drug abuse, and the closing of asylums, to show how shifts in treatment techniques, theories, and settings are foreshadowed and fossilized by film. Psychology and cinema are kindred cousins, born at the same time and developing together, so that each influences the other. From the mind-controlling villains that occupy early horror films and Cold War thrillers (like Caligari, Mabuse, and The Ipcress File ), to the asylums that house numberless political allegories and personal dramas (in Shock Corridor, Spellbound, One Flew over the Cuckoo's Nest, and Girl Interrupted ), to the drugs, phobias, and disorders that pervade so many of our favorite films (including, as a small sample, Vertigo, Night of the Hunter, Psycho, Rainman, Fight Club, Requiem for a Dream, and Batman Begins ), there is no escaping either psychology in the movies, or the movies in psychology. By looking at the interactions between cinema and psychology, this book offers readers clear and basic insights into some of the most fundamental reasons why film is such an important influence upon our lives today. Movies and the Modern Psyche first describes the basic concepts of psychoanalysis, experimental psychology, behavioral conditioning, and hypnosis, which have all played major roles in the histories of both film and psychiatry. It then goes on to discuss the recent rise in film therapy, drug treatments, treatment for drug abuse, and the closing of asylums, to show how shifts in treatment techniques, theories, and settings are foreshadowed and fossilized by film.

Table of contents

• CONTENTS
• PREFACE
• ACKNOWLEDGMENTS
• CHAPTER ONE: INTRODUCTION
• CHAPTER TWO: A CENTURY OF PSYCHOLOGY AND CINEMA
• CHAPTER THREE: FREUD AND FILM
• CHAPTER FOUR: THE DREAM
• CHAPTER FIVE: HYPNOSIS
• CHAPTER SIX: MADHOUSES, HAUNTED HOUSES, AND POLITICAL POLEMICS
• CHAPTER SEVEN: PSYCHOLOGICAL THRILLERS AND SERIAL KILLERS AND THE MOTIF OF MADNESS
• CHAPTER EIGHT: FREUDIAN WESTERNS AND FILMS NOIR
• CHAPTER NINE: COLD WAR PARANOIA AND POSTWAR PTSD
• CHAPTER TEN: DRUGS AND OTHER DEMONS
• CHAPTER ELEVEN: DOUBLES AND DOPPELGÄNGERS
• CHAPTER TWELVE: WOODY ALLEN’S WORRIES
• CHAPTER THIRTEEN: THE PSYCHE ASSUMES PHYSICAL FORM
• CHAPTER FOURTEEN: CONCLUSION
• FILMOGRAPHY
• NOTES
• BIBLIOGRAPHY
• INDEX