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eBook - PDF
Modern American Drama on Screen
About this book
From its beginnings, the American film industry has profited from bringing popular and acclaimed dramatic works to the screen. This is the first book to offer a comprehensive account, focusing on key texts, of how Hollywood has given a second and enduring life to such classics of the American theater as Long Day's Journey into Night, A Streetcar Named Desire and Who's Afraid of Virginia Woolf? Each chapter is written by a leading scholar and focuses on Broadway's most admired and popular productions. The book is ideally suited for classroom use and offers an otherwise unavailable introduction to a subject which is of great interest to students and scholars alike.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Modern American Drama on Screen by William Robert Bray,R. Barton Palmer in PDF and/or ePUB format, as well as other popular books in Literature & Literary Criticism in Drama. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Contents
- Illustrations
- Notes on contributors
- Introduction
- Chapter 1 Realism, censorship, and the social promise of Dead End
- Chapter 2 Filming Our Town (1940) or the problem of "looking at everything hard enough"
- Chapter 3 Screening Death of a Salesman: Arthur Miller's cinema and its discontents
- Chapter 4 Elia Kazan's A Streetcar Named Desire
- Chapter 5 Come back, little scopophile: William Inge, Daniel Mann, and cinematic voyeurism
- Chapter 6 The Big Knife: Hollywood's "fable about moral values and success," a movie about the movies
- Chapter 7 Adapting Lorraine Hansberry's sociological imagination: race, housing, and health in A Raisin in the Sun
- Chapter 8 Double vision: the film adaptations of The Children' s Hour
- Chapter 9 Sidney Lumet's family epic: re-imagining Long Day's Journey into Night
- Chapter 10 Hollywoods Who's Afraid of Virginia Woolf?: breaking the code
- Chapter 11 Sex, lies, and independent film: realism and reality in Sam Shepard's Fool for Love
- Chapter 12 Actor, image, action: Anthony Drazan's Hurlyburly (1998)
- Chapter 13 David Mamet brings film to Oleanna
- Chapter 14 To what end a cinematic Wit?
- Chapter 15 Theatrical, cinematic, and domestic epic in Tony Kushner's Angels in America
- Filmography
- Index