
- English
- PDF
- Available on iOS & Android
About this book
This is the first history of the guitar during the reign of the Stuarts, a time of great political and social upheaval in England. In this engaging and original volume, Christopher Page gathers a rich array of portraits, literary works and other, previously unpublished, archival materials in order to create a comprehensive picture of the guitar from its early appearances in Jacobean records, through its heyday at the Restoration court in Whitehall, to its decline in the first decades of the eighteenth century. The book explores the passion of Charles II himself for the guitar, and that of Samuel Pepys, who commissioned the largest repertoire of guitar-accompanied song to survive from baroque Europe. Written in Page's characteristically approachable style, this volume will appeal to general readers as well as to music historians and guitar specialists.
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Information
Table of contents
- Cover
- Half-title page
- Frontispiece
- Series page
- Title page
- Copyright page
- Dedication
- Epigraph
- Contents
- List of Figures
- List of Examples
- List of Abbreviations
- Acknowledgements
- Introduction
- Chapter 1 The Guitar in Jacobean and Caroline England (I): Court Masque and Town Fashion
- Chapter 2 The Guitar in Jacobean and Caroline England (II): London and Lodgings Abroad
- Chapter 3 The Restoration Court
- Chapter 4 Regarding the Female Guitarist
- Chapter 5 Guitars, Gallants and Gentlewomen
- Chapter 6 Samuel Pepys and the Guitar allāItaliana
- Chapter 7 The Autumn of the FiveĀ-CourseĀ Guitar in England
- Appendix A Conspectus of Musical Sources and Selected Inventories
- Appendix B Guitars in Probate Inventories of the Seventeenth Century
- Appendix C The Letters of Samuel Pepys concerning the Guitar
- Appendix D The Dupille Manuscript
- Bibliography
- Index