- 262 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Musical Authorship from Schütz to Bach
About this book
What did the term 'author' denote for Lutheran musicians in the generations between Heinrich Schütz and Johann Sebastian Bach? As part of the Musical Performance and Reception series, this book examines attitudes to authorship as revealed in the production, performance and reception of music in seventeenth-century German lands. Analysing a wide array of archival, musical, philosophical and theological texts, this study illuminates notions of creativity in the period and the ways in which individuality was projected and detected in printed and manuscript music. Its investigation of musical ownership and regulation shows how composers appealed to princely authority to protect their publications, and how town councils sought to control the compositional efforts of their church musicians. Interpreting authorship as a dialogue between authority and individuality, this book uses an interdisciplinary approach to explore changing attitudes to the self in the era between Schütz and Bach.
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Information
Subtopic
MusicTable of contents
- Cover
- Half-title
- Series information
- Title page
- Copyright information
- Dedication
- Contents
- List of Figures
- Music Examples
- Acknowledgements
- Author's Note
- List of Abbreviations
- Introduction
- Chapter 1 God, Talent, Craft: Concepts of Musical Creativity
- Chapter 2 Between Imitatio and Plagiarism
- Chapter 3 Signs of Individuality
- Chapter 4 Rites of Musical Ownership
- Chapter 5 The Regulation of Novelty
- Chapter 6 Authorship and Performance
- Conclusion
- Bibliography
- Index
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Yes, you can access Musical Authorship from Schütz to Bach by Stephen Rose in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over 1.5 million books available in our catalogue for you to explore.