Women and Music in Sixteenth-Century Ferrara
eBook - PDF

Women and Music in Sixteenth-Century Ferrara

  1. English
  2. PDF
  3. Available on iOS & Android
eBook - PDF

Women and Music in Sixteenth-Century Ferrara

About this book

The musica secreta or concerto delle dame of Duke Alfonso II d'Este, an ensemble of virtuoso female musicians that performed behind closed doors at the castello in Ferrara, is well-known to music history. Their story is often told by focussing on the Duke's obsessive patronage and the exclusivity of their music. This book examines the music-making of four generations of princesses, noblewomen and nuns in Ferrara, as performers, creators, and patrons from a new perspective. It rethinks the relationships between polyphony and song, sacred and secular, performer and composer, patron and musician, court and convent. With new archival evidence and analysis of music, people, and events over the course of the century, from the role of the princess nun musician, Leonora d'Este, to the fate of the musica secreta's jealously guarded repertoire, this radical approach will appeal to musicians and scholars alike.

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Yes, you can access Women and Music in Sixteenth-Century Ferrara by Laurie Stras in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Half-title
  3. Series information
  4. Title page
  5. Copyright information
  6. Dedication
  7. Table of contents
  8. List of Figures
  9. List of Music Examples
  10. List of Tables
  11. Acknowledgments
  12. Note on Music Prints and Translations
  13. List of Abbreviations
  14. Introduction: Musica secreta
  15. 1 Ferrarese Convents and the Este in the First Half of the Sixteenth Century
  16. 2 Courtly Women and Secular Music in Ferrara in the First Half of the Sixteenth Century
  17. 3 Princesses and Politics:Ā The Este Women and Music in theĀ 1550s
  18. 4 Actresses and Ariosto:Ā Spectacle and Song in theĀ 1560s
  19. 5 ā€œUn modo di cantare molto diversoā€:Ā Ferrara and the New Singing of theĀ 1570s
  20. 6 Margherita’s Arrival and the Convents in the First Half of theĀ 1580s
  21. 7 Musical Practices of the 1580s Concerto
  22. 8 Ferrara’s Final Chapter:Ā Court and Convents in theĀ 1590s
  23. 9 Afterlife inĀ Mantua
  24. Bibliography
  25. General Index
  26. Index of Compositions