
- English
- PDF
- Available on iOS & Android
About this book
Coronations are the grandest of all state occasions. This is the first comprehensive in-depth study of the music that was performed at British coronations from 1603 to the present, encompassing the sixteen coronations that have taken place in Westminster Abbey and the last two Scottish coronations. Range describes how music played a crucial role at the coronations and how the practical requirements of the ceremonial proceedings affected its structure and performance. The programme of music at each coronation is reconstructed, accompanied by a wealth of transcriptions of newly discovered primary source material, revealing findings that lead to fresh conclusions about performance practices. The coronation ceremonies are placed in their historical context, including the political background and the concept of invented traditions. The study is an invaluable resource not only for musicologists and historians, but also for performers, providing a fascinating insight into the greatest of all Royal events.
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Information
Table of contents
- Cover
- Music and Ceremonial at British Coronations
- Title
- Copyright
- Dedication
- Contents
- Illustrations and examples
- Tables
- Acknowledgements
- Abbreviations and conventions
- 1 Introduction: the British coronation and its music
- 2 After Reformation and Restoration: 1603ā1661
- 3 Truncation and elaboration: 1685
- 4 Politics and spectacle: 1689ā1714
- 5 The āconcert coronationsā I: 1727
- 6 The āconcert coronationsā II: 17621 & 1821
- 7 The āreformed modelā: 1831 & 1838
- 8 The āmarriage of tradition and innovationā: the twentieth century
- Appendix A: Full texts of anthems discussed in the text
- Appendix B: Transcriptions of documents
- Appendix C: Synoptic table of music at British coronations, 1603ā1838
- Appendix D: Synoptic table of music at British coronations, 1902ā1953
- Bibliography and sources
- Index