Working with Actors
eBook - ePub

Working with Actors

Meisner Technique for Directors and Actors

  1. 240 pages
  2. English
  3. ePUB (mobile friendly)
  4. Available on iOS & Android
eBook - ePub

Working with Actors

Meisner Technique for Directors and Actors

About this book

Working with Actors provides the key to unlocking the honest, dynamic performance every actor has within them. It offers a well-articulated formulation of the Meisner Technique easy for directors and actors to use within a working context. Through setting out an accessible training programme for practitioners working across stage and screen, this book establishes a clear-cut route to building a three-dimensional character in an organic, non-intellectual fashion, based squarely on the character's objectives. Few books in this field venture out of the training studio, while in this book - alongside offering an intense and concentrated Meisner training programme - the focus is more on the 'pay-off': the collaborative act of developing the role and how that plays out in rehearsal and performance. Beyond that, the books uniquely offers: > a new modality for script reading, analysis and rehearsal through which the character is born in relation to other characters; > a prioritisation of the key skills for coming alive in the moment – listening and putting one's attention wholly on the other character/actor; > a historical perspective on how Meisner's methods have evolved and why they provide the basis of truthful acting; > for directors, a format for analysis of the complete work based on Stanislavskian principles; > for actors, complementary methods, such as Uta Hagen's 'endowment', to enhance the 'reality of doing'

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Yes, you can access Working with Actors by Stephen Bayly in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Theatre Direction & Production. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half-Title Page
  3. Title Page
  4. Contents
  5. Acknowledgements
  6. A Note to the Reader
  7. Part 1 Technique
  8. 1 Introduction
  9. 2 Simple Technique Perfectly
  10. 3 Fear
  11. 4 Working ‘With’
  12. 5 Acting is Doing
  13. 6 Listening
  14. 7 Beyond Language
  15. 8 The Pinch and the Ouch
  16. 9 Imaginary Circumstances
  17. 10 Who’s That Knocking?
  18. 11 Mad, Sad, Glad
  19. 12 No Such Thing as a Monologue
  20. 13 Taking it Personally
  21. 14 It’s Just an Illusion
  22. 15 In Search of the Character
  23. 16 A Director Prepares
  24. 17 Mapping Out Rehearsals
  25. 18 Taking Sides
  26. 19 Launching the Canoe
  27. 20 The Nitty-Gritty
  28. 21 It’s ‘As-If’
  29. 22 Digging Deeper
  30. 23 Striving for the Summit
  31. 24 The Real World
  32. Part 2 Perspectives
  33. 25 What’s Love Got To Do With It?
  34. 26 Psychophysiological Mechanisms
  35. 27 Bits Not Beats
  36. 28 Indicating
  37. 29 Liquified Trouble
  38. 30 Cast the Actor Not the Character
  39. 31 Unblocking the Writer
  40. 32 Everyone Can Act
  41. 33 Faking It
  42. 34 The Case Against Actioning
  43. 35 Subtext
  44. 36 Silence is Golden
  45. 37 Clips
  46. 38 More Than Meets the Eye
  47. 39 The Case for Realism
  48. Glossary
  49. Index of Names
  50. Subject Index
  51. Copyright