
The Book of Hours and the Body
Somaesthetics, Posthumanism, and the Uncanny
- 272 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
This book explores our corporeal connections to the past by considering what three theoretical approaches - somaesthetics, posthumanism, and the uncanny - may reveal about both premodern and postmodern terms of embodiment.
It takes as its point of departure a selection of fifteenth-century northern European Books of Hours - evocative objects designed at once to inscribe social status, to strengthen religious commitment, to entertain, to stimulate emotions, and to encourage discomfiting self-scrutiny. Studying their kaleidoscopically strange, moving, humorous, disturbing, and imaginative pages not only enables a window into relationships among bodies, images, and things in the past but also in our own internet era, where surprisingly popular memes drawn from such manuscripts constitute a part of our own visual culture.
In negotiating theoretical, post-theoretical, and historical concerns, this book aims to contribute to an emerging and much-needed intersectional social history of art. It will be of interest to scholars working in art history, medieval studies, Renaissance/early modern studies, gender studies, the history of the book, posthumanism, aesthetics, and the body.
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Information
Table of contents
- Cover Page
- Half-Title Page
- Series Page
- Title Page
- Copyright Page
- Dedication Page
- Contents
- Figures and Photo Credits
- Abbreviations
- Notes on the Text
- Acknowledgments
- 1 The Book of Hours and the Body: Introduction
- 2 Somaesthetics: The Book of Hours as Elite Self-Fashioning
- 3 Posthumanism: Technologizing the Book of Hours
- 4 The Uncanny: Immaterial Matters in Books of Hours
- Index of Secondary Authors
- General Index