
eBook - PDF
Knowing by Ear
Listening to Voice Recordings with African Prisoners of War in German Camps (1915ā1918)
- 216 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Knowing by Ear
Listening to Voice Recordings with African Prisoners of War in German Camps (1915ā1918)
About this book
During World War I, thousands of young African men conscripted to fight for France and Britain were captured and held as prisoners of war in Germany, where their stories and songs were recorded and archived by German linguists. In Knowing by Ear, Anette Hoffmann demonstrates that listening to these acoustic recordings as historical sources, rather than linguistic samples, opens up possibilities for new historical perspectives and the formation of alternate archival practices and knowledge production. She foregrounds the archival presence of individual speakers and positions their recorded voices as responses to their experiences of colonialism, war, and the journey from Africa to Europe. By engaging with the recordings alongside written sources, photographs, and artworks depicting the speakers, Hoffmann personalizes speakers from present-day Senegal, Somalia, Togo, and Congo. Knowing by Ear includes transcriptions of numerous recordings of spoken and sung texts, revealing acoustic archives as significant yet under-researched sources for recovering the historical speaking positions of colonized subjects and listen to the acoustic echo of colonial knowledge production.
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Yes, you can access Knowing by Ear by Anette Hoffmann in PDF and/or ePUB format, as well as other popular books in History & African History. We have over one million books available in our catalogue for you to explore.
Information
Publisher
Duke University Press BooksYear
2024Print ISBN
9781478030027, 9781478024842eBook ISBN
9781478059028Table of contents
- Cover
- Contents
- Note on Sound Recordings
- Gallery
- Prologue: Catchers of the Living: Fragment I. Samba Diallo: āThe War Of The Whitesā / āCatcher Of The Livingā
- Introduction: Listening to Acoustic Fragments: Fragment ii. JĆ”mafĆ”da: āthe War is Horribleā
- 1. Abdoulaye Niang: Voice, Race, and the Suspension of Communication in Linguistic Recordings: Fragment iii. Asmani Ben Ahmad: āOnce Upon a Timeā
- 2. Mohamed Nur: Traces in Archives, Linguistic Texts, and Museums in Germany: Fragment iv. Josef Ntwanumbi: āwe are Initiatesā
- 3. Albert Kudjabo and Stephan Bischoff: Mysterious Sounds, Opaque Languages, and Otherworldly Voices: Fragment V. Mamadou Gregoire: āThe Sea Requests Fish from the Riversā
- Afterword: Knowing by Ear
- Acknowledgments
- Notes
- References
- Index