The Vienna School of Art History
Empire and the Politics of Scholarship, 1847–1918
- English
- PDF
- Available on iOS & Android
About this book
Matthew Rampley's The Vienna School of Art History is the first book in over seventy-five years to study in depth and in context the practices of art history from 1847, the year the first teaching position in the discipline was created, to 1918, the collapse of Austria-Hungary. It traces the emergence of art history as a discipline, the establishment of norms of scholarly inquiry, and the involvement of art historians in wider debates about the cultural and political identity of the monarchy.
The so-called Vienna School plays the central role in the study, but Rampley also examines the formation of art history elsewhere in Austria-Hungary. Located in the Habsburg imperial capital, Vienna art historians frequently became entangled in debates that were of importance to art historians elsewhere in the Empire, and Rampley pays particular attention to these areas of overlapping interest. He also analyzes the methodological innovations for which the Vienna School was well known. Rampley focuses most fully, however, on the larger political and ideological context of the practice of art history—particularly the way in which art-historical debates served as proxies for wider arguments over the political, social, and cultural life of the Habsburg Empire.
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Table of contents
- COVER Front
- Copyright Page
- Table of Contents
- List of Illustrations
- Acknowledgments
- Introduction
- Notes to Introduction
- Chapter 1: Founding a Discipline: Liberalism and the Idea of Scientific Method
- Notes to Chapter 1
- Chapter 2: Questions of Method: From Positivism to the History of Spirit
- Notes to Chapter 2
- Chapter 3: Beyond Vienna: The Growth of Art History Across the Habsburg Monarchy
- Notes to Chapter 3
- Chapter 4: An Art History of Austria-Hungary? Patriotism and the Construction of National Historiography
- Notes to Chapter 4
- Chapter 5: Baroque Art and Architecture: A Contested Legacy
- Notes to Chapter 5
- Chapter 6: Vernacular Cultures and National Identities: The Politics of Folk Art
- Notes to Chapter 6
- Chapter 7: Readings of Modern Art: Historicism, Impressionism, Expressionism
- Notes to Chapter 7
- Chapter 8: Between East and West
- Notes to Chapter 8
- Chapter 9: Saving the Past: Conservation and the Cult of Monuments
- Notes to Chapter 9
- Epilogue: Continuity and Rupture After 1918
- Notes to Epilogue
- Notes
- Bibliography
- Index
- COVER Back