eBook - ePub
The Construction of Race in Les Misérables Fanworks
Liberty, Equality, Diversity
- 176 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
The Construction of Race in Les Misérables Fanworks
Liberty, Equality, Diversity
About this book
By analyzing contemporary Les Misérables online fandom, how can we conceptualize fandom racism, especially when it complicates the typical and sometimes reductive narratives that assign racism to only the "bad" and the conservative "other"?
Victor Hugo's Les Misérables is a well-adapted novel with films, television shows, anime, and stage productions constantly bringing new fans into the fold. Fans of these adaptations use the political text as a breeding ground for contemporary political conversations about socio-economic inequality, republicanism, and gendered violence. Yet in these conversations, race is an awkward, silenced topic.
This primer presents findings from the author's study of a decade of Les Misérables fanart, in which they catalogue the formulation of racial identity in the fandom. Citing interviews with fans of color, they discuss the mechanics of how fandoms leverage concepts of "diversity" to downplay and ultimately silence criticisms in the name of fandom hegemony. They argue that despite using Hugo's barricade boys to process their white guilt, fan artists often see race as skin-deep and non-specific, rarely as active cultural or ethnic identities. This study of fan racism is held around moments of racial characterization that have convinced fans of color that "nothing changes, nothing ever will."
In looking at a fandom whose key principles are liberty, justice, and social equality, this research provides a base for future researchers and fans to have frank conversations about the subtle and thus more pernicious forms of racism that exist within fan spaces.
Victor Hugo's Les Misérables is a well-adapted novel with films, television shows, anime, and stage productions constantly bringing new fans into the fold. Fans of these adaptations use the political text as a breeding ground for contemporary political conversations about socio-economic inequality, republicanism, and gendered violence. Yet in these conversations, race is an awkward, silenced topic.
This primer presents findings from the author's study of a decade of Les Misérables fanart, in which they catalogue the formulation of racial identity in the fandom. Citing interviews with fans of color, they discuss the mechanics of how fandoms leverage concepts of "diversity" to downplay and ultimately silence criticisms in the name of fandom hegemony. They argue that despite using Hugo's barricade boys to process their white guilt, fan artists often see race as skin-deep and non-specific, rarely as active cultural or ethnic identities. This study of fan racism is held around moments of racial characterization that have convinced fans of color that "nothing changes, nothing ever will."
In looking at a fandom whose key principles are liberty, justice, and social equality, this research provides a base for future researchers and fans to have frank conversations about the subtle and thus more pernicious forms of racism that exist within fan spaces.
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Yes, you can access The Construction of Race in Les Misérables Fanworks by Nemo Madeleine Sugimoto Martin in PDF and/or ePUB format, as well as other popular books in Sozialwissenschaften & Medienwissenschaften. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Half-Title
- Series
- Dedication
- Title
- Contents
- List of figures
- Acknowledgements
- Note on text and translations
- List of abbreviations
- Introduction
- 1 Methodology
- 2 Character-by-character analysis
- 3 A case study in Javert
- 4 Racism in fandom
- Conclusion
- Bibliography
- Index
- Copyright