
- 352 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
eBook - ePub
About this book
The first articles here focus on Johannes Tinctoris, the prominent late 15th-century music theorist. They deal with the discovery of his lost pedagogical motet, and his treatise on counterpoint; this forms the basis of a wide-ranging investigation of contemporary practices of improvisation and composition (singing super librum and writing res facta), in which the question of 'successive' and 'simultaneous' composition is reconsidered. Tinctoris's sometimes sharp rebukes to famous composers are also investigated in the context of works by Ockeghem. Ottaviano Petrucci's first publication of music, the 'Odhecaton' of 1501, is the subject of another three articles. These identify the editor of the work, and make new proposals on the provenance and editing of this repertory. The last article presents an edition of a treatise of ca. 1600 in the form of a letter from the virtuoso cornettist Luigi Zenobi to an unknown prince, which offers new insights on the change in performance practice at the end of the Renaissance.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Composition, Printing and Performance by Bonnie J. Blackburn in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & World History. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Series
- Half Title
- Title
- Copyright
- Contents
- Preface
- Acknowledgements
- Tinctoris And The Art Of Composition
- Petrucci And His Sources
- Advice On Performance Ca. 1600
- Addenda et Corrigenda
- Index