Henry James Framed

Material Representations of the Master

Michael Anesko

• Publisher: University of Nebraska Press
• Year: 2022
• Print ISBN: 9781496231628
• eBook ISBN: 9781496233189
• Topic: Art
• Subtopic: Art General

Henry James Framed is a cultural history of Henry James as a work of art. Throughout his life, James demonstrated an abiding interest in—some would say an obsession with—the visual arts. In his most influential testaments about the art of fiction, James frequently invoked a deeply felt analogy between imaginative writing and painting. At a time when having a photographic carte de visite was an expected social commonplace, James detested the necessity of replenishing his supply or of distributing his autographed image to well-wishing friends and imploring readers. Yet for a man who set the highest premium on personal privacy, James seems to have had few reservations about serving as a model for artists in other media and sat for his portrait a remarkable number of twenty-four times. Surprisingly few James scholars have brought into primary focus those occasions when the author was not writing about art but instead became art himself, through the creative expression of another's talent. To better understand the twenty-four occasions he sat for others to represent him, Michael Anesko reconstructs the specific contexts for these works' coming into being, assesses James's relationships with his artists and patrons, documents his judgments concerning the objects produced, and, insofar as possible, traces the later provenance of each of them. James's long-established intimacy with the studio world deepened his understanding of the complex relationship between the artist and his sitter. James insisted above all that a portrait was a revelation of two realities: the man whom it was the artist's conscious effort to reveal and the artist, or interpreter, expressed in the very quality and temper of that effort. The product offered a double vision—the strongest dose of life that art could give, and the strongest dose of art that life could give.

Table of contents

• Cover
• Title Page
• Copyright Page
• Dedication
• Epigraph
• Contents
• List of Illustrations
• Preface
• Acknowledgments
• Introduction
• 1. Uncanny Possession
• 2. “I, Too, Am Someone Here”
• 3. “Yielding to the Bard’s Behest”
• 4. “Civilized to His Fingertips”
• 5. “Nicer than Most of Them”
• 6. In a “Cosmo de’ Medici Mood”
• 7. “Making Quite a Reputation”
• 8. “Dear” Henry James
• 9. “A Student of Taste”
• 10. “Commendably Droll”
• 11. “My Own Head on the Block”
• 12. “The Smooth & Anxious Clerical Gentleman”
• 13. “Won’t It Be Fun?”
• 14. “Not Positively or Richly Rejoiceful”
• 15. “The Profile of an Eagle”
• 16. “Too Little of the Promise”
• 17. An “Astonishing” Economy of Means
• 18. “A Rather ‘Important’ Piece”
• 19. “Difficult, Perverse, Obscure”
• 20. “A Very Fine Thing Indeed”
• 21. “My Aged and Battered Mug”
• 22. “Not with the Happiest Result”
• Epilogue
• Notes
• Bibliography
• Index
• About Michael Anesko
• Illustrations