
- 262 pages
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
This book examines the connections between film and Christianity, considering how films express and depict Christian faith and spirituality and provide experiences associated with it. The notion of movement as immobility (from Simone Weil) is employed to describe film and its images in motion. Its movements can reconnect us with the movements of the world, those motions in which a mysterious sense of order, what Weil calls "immobility, " arises. Film is understood as a privileged form to access inscrutable spiritual (in)visibilities that can be linked with Christian concepts and practices. The chapters in Exploring Film and Christianity offer new studies of famous directors such as Andrei Tarkovsky and Robert Bresson combined with analyses of recent notable films, including Terrence Malick's Knight of Cups, Martin Scorsese's Silence, and Denis Villeneuve's Blade Runner 2049. Organized around the productive topics of theory, expression, depiction and experience, this volume is a valuable contribution to interdisciplinary research on film and Christianity.
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Information
Table of contents
- Cover
- Half Title
- Series Page
- Title Page
- Copyright Page
- Table of Contents
- List of Figures
- List of Contributors
- Acknowledgments
- Introduction: Explorations in Film and Christianity
- PART I Theory
- PART II Expression
- PART III Depiction
- 10. Remembrance of Acto da Primavera in Manoel de Oliveira’s Filmography
- 11. Theft and Return or Bresson’s Grace
- 12. To Be Is to Be Free: Cybernetic Life as Christian Subjectivity in Blade Runner 2049
- PART IV Experience
- Index