Cavalier Perspective

Last Essays, 1952-1966

André Breton, Austin Carder

• Publisher: City Lights Publishers
• Year: 2025
• Print ISBN: 9780872869394
• eBook ISBN: 9780872869400
• Topic: Literature
• Subtopic: European Literary Collections
• Index: Literature

The final book by the founder of Surrealism, translated into English for the first time.

"Cavalier Perspective shows us the lion in winter, André Breton near the end of his life, trying to reconcile all the contradictions of his extraordinary career. It is unexpectedly moving to watch him wrestling with his ghosts, aiming for magic, fitting himself uneasily into the new alien landscape of the 1960s."—Lucy Sante, author of I Heard Her Call My Name: A Memoir of Transition

As leader and chief theoretician of Surrealism, director of myriad publications from the 1920s through the 1960s, poet André Breton was a prolific writer of prose. Author of numerous books, essays, and manifestoes, Breton periodically collected his most significant short essays into carefully arranged volumes. His last such collection, Cavalier Perspective, appeared posthumously in 1970; in it, editor Marguerite Bonnet assembled "articles, prefaces, responses to surveys, interviews," written between 1952 and 1966. Modeled on its predecessors, Cavalier Perspective is considered Breton's final book.

Over 50 years after its initial publication, its appearance in English today is a crucial cultural event; here we encounter Breton writing on topics nearest to our present day and most relevant to current social and political issues. Cavalier Perspective finds Breton steadfastly pursuing his anti-fascist, anti-colonialist revolutionary aims in the age of weapons of mass destruction, climate change, and space exploration, concerns largely unknown during Surrealism's more notorious interwar period. Far from conceding the movement's claim to contemporary relevance, and pointedly refusing the imposition of "strict temporal limits," Breton insists on Surrealism's dynamic and dialectical position in the book's titular manifesto, asserting its continuity through its perpetual capacity to respond to the needs of the hour.

More than simply a poet and theoretician, Breton is best considered an "inaugurator of discourse" on the level of a Marx or Freud, and Cavalier Perspective is an essential capstone to his lifetime as the guiding hand behind the worldwide surrealist movement.

Table of contents

• Cover
• Title Page
• Copyright
• Contents
• Introduction by Garrett Caples
• A Note On the Text
• Foreword by Marguerite Bonnet
• Link
• “You have the floor, young seer of things …”
• On André Gide
• Stalin in History
• At Long Last
• Farewell, If I May
• Shadow Not of a Serpent, but of a Flowering Tree
• Letter to Robert Amadou
• On Astrology
• The One in the Other
• Implications of “The One in the Other”
• New Elements of the Combined Dictionary “The One in the Other”
• Position of Melmoth
• Suspension Bridge
• Initial Small Talk
• Darien the Damned
• Everyday Magic
• Foreword to Ultramarines
• Speech at the Meeting “In Defense of Freedom”
• Surrealism and Tradition
• Embers at Ceridwen’s Cauldron
• Response to a Survey: “Is sublime love the only kind?”
• On Magic Art
• The Language of Stones
• Flora Tristan
• Too Much for Us?
• Letter to Guy Chambelland Regarding Xavier Forneret
• Speech at the “Conscientious Objectors Relief Gala”
• On Robert Desnos
• On Antonin Artaud
• Far from Orly
• Preface to Oskar Panizza’s The Council of Love
• Phoenix of the Mask
• Response to a Survey on Space Exploration
• Tribute
• Drawbridge
• Interview with Madeleine Chapsal
• Belvedere
• Firsthand
• Cavalier Perspective
• Interview with Guy Dumur
• Credits
• Translator’s Note
• Acknowledgments