
Bach Perspectives, Volume 4: The Music of J. S. Bach
Analysis and Interpretation
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Launched in 1995, Bach Perspectives has become the premier English-language serial book series dedicated to cutting-edge Bach scholarship. The University of Illinois Press now offers the first four volumes in open access editions available for free to all interested readers.
The fourth volume of Bach Perspectives analyzes J. S. Bach's orchestral works, especially his concertos, and the interpretation and performance of his music in general. The diverse contributors come from the fields of performance, organology, music theory, and music history, and their expertise across multiple areas provides an interdisciplinary perspective to their chapters.
Contributors: Gregory G. Butler, John Butt, John Koster, Alfred Mann, Mary Oleskiewicz, William Renwick, David Schulenberg, Jeanne Swack, and Paul Walker
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Information
Table of contents
- Cover
- Title Page
- Copyright
- Contents
- Preface
- List of Abbreviations
- Part One Concepts of Ritornello and Concerto
- Part Two Interpretation
- The Harpsichord Culture in Bach’s Environs
- The Trio in Bach’s Musical Offering: A Salute to Frederick’s Tastes and Quantz’s Flutes?
- Versions of Bach: Performing Practices in the Keyboard Works
- 39. Praeludia et Fugen del Signor Johann Sebastian Bach?: The Langloz Manuscript, SBB Mus. ms. Bach P 296
- Fugue in the Music-Rhetorical Analogy and Rhetoric in the Development of Fugue
- Bach Recordings since 1980: A Mirror of Historical Performance
- Contributors
- General Index
- Index of Bach’s Compositions
- Back Cover