
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
A new poetic form from National Book Award finalist Fiston Mwanza Mujila, lauded author of novels Tram 83 and The Villain's Dance and poetry collection The River in the Belly.
The Slaughterhouse of Dreams is rooted in a traditional Congolese form of praise poem, the kasala, that ties together proverbs, origin stories, fables, and riddles into a recitation accompanied by music. In Mwanza Mujila’s skilled hands, this oral tradition becomes a new multimedia form, set to the page while retaining the remarkable drama, emotion, and celebration of its performed root. In The Slaughterhouse of Dreams, multiple lyrical traditions create a hybrid world of global spaces and layers of time. With the rhythmic, frenetic energy that unites his poetry, prose, and performances, Fiston Mwanza Mujila reanimates and simultaneously deconstructs ideas of the (post)colonial environment.
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Information
Table of contents
- Cover
- Title Page
- Copyright
- Contents
- List of Photographs
- Dedication
- Kasala for Myself 1
- Kasala for Myself 2
- Kasala for My Kaku 1
- Kasala for My Kaku 2
- Kasala for Sayaka
- Self-Portrait 1
- Before the Banishment
- “when I was a boy”
- Genesis
- Ideal Geography of the Zaire River
- Miner’s Song 2
- Joy
- Self-Portrait 2
- “we asked the Elder Spirit”
- “Mvidi Mukulu wa Tshiame”
- “I want to write a poem”
- Waltz for Lumumba
- Family Tree
- Tshiluba Lesson
- Amnesia
- Procreation’s Many Little Secrets
- “this feeling of being born”
- Anna
- Tshiluba Lesson 2
- My Loves
- Norwich
- Delinquent Joy
- Womb Names
- The Slaughterhouse of Dreams or the First Human, Bende’s Folly
- The City Within
- Virtues
- Pandemonium Bazaar
- Notes
- “The Child of Zaire”: A Conversation with Fiston Mwanza Mujila
- Translator’s Acknowledgments
- Biographical Information
- Back Cover