
The Digitalisation of Memory Practices in China
Contesting the Curating State
- English
- ePUB (mobile friendly)
- Available on iOS & Android
The Digitalisation of Memory Practices in China
Contesting the Curating State
About this book
How is memory in China curated in the digital era?
This pioneering volume investigates the transformation of collective memory in China amid rapid technological change.
Introducing the concept of the "curating state," it reveals how digitalisation both supports and challenges official memories, giving rise to more hybrid and, at times, democratised memory practices. Bringing together leading Chinese and international scholars, the book examines the use of digital tools by state, private and commercial actors to curate their own versions of the past.
Combining theoretical innovation with rich empirical research, this is a vital resource for understanding the dynamic interplay between memory, media and power in contemporary China—and beyond.
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Information
Table of contents
- Cover
- Title Page
- Copyright Page
- Table of Contents
- List of Figures and Tables
- List of Contributors
- Acknowledgements
- Introduction: The Digitalisation of Curating Collective Memories and Heritage in China
- 1 From the Archive to the Public Sphere: The Digital Rebirth of an Underground Journal
- 2 How Do Netizens Remember? Digital Memory Work in the History of the Chinese Internet
- 3 Digital Memory and Islam in China: Archiving ‘Arab style’ Mosques on Social Media
- 4 Mediating Queer Memory in Chinese Digital Video Documentaries
- 5 Resistance of the Stone and Fragmented Digital Collective Memory in Gulou, China
- 6 Minitrue in Action: Contesting ‘Correct Collective Memory’ on Chinese Social Media
- 7 Curating the ‘Real Xinjiang’: Hyperreal Spectacles and the Making of Collective Memory
- 8 Assembling Digital Memories: The Curation of Baiku Yao Costumes
- 9 Curating the Rural: Douyin’s Rural Guardians and Platformised Memory-making
- 10 Potato Patriotism: Consuming War Memory in China
- 11 Smart Museums, Heritage and Curation: An Empirical Study in Hangzhou, China
- 12 Digital Documentaries, Making Memory, Solitary Spectatorship
- Conclusion: China’s Evolving Curatorial Practices
- Index