
Authors and Adaptation
Writing Across Media in the Nineteenth and Early Twentieth Centuries
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Authors and Adaptation
Writing Across Media in the Nineteenth and Early Twentieth Centuries
About this book
This book studies British literary writers' engagement with adaptations of their work across literary, theatrical, and film media in the nineteenth and early twentieth centuries.It considers their critical, reflective, and autobiographical writings about the process of adaptation, and traces how their work was shaped, as well as delimited, by their involvement with adaptations to different media and intermedial writing.Linkingcanonical and non-canonical writers both chronologically and contemporaneously, and bridging studies of prose fiction adaptation from nineteenth-century theatre to early twentieth-century film, this bookoffers an interdisciplinary, transhistorical, cultural, and analytical studyof adaptation and thevariable positions of writers within and across media.
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Information
Table of contents
- Cover
- Front Matter
- 1. Introduction
- 2. Copyright Law, Authorial Ownership, and Adaptation Between Novels and Plays in Nineteenth-Century Britain
- 3. Changes in Writer Stratifications across Media in Nineteenth-Century Britain
- 4. Adaptation, Ownership and the Emergence of Narrative Film
- 5. Literary Writers and Filmmaking Practices in Silent Cinema
- 6. Literary Writers and Early Sound Film: Experimental Writing
- 7. Conclusion
- Back Matter