
Allusion in Detective Fiction
Shakespeare, the Bible and Dorothy L. Sayers
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
This study argues that allusion is a central part of classic British detective fiction. It demonstrates the fraught status of Shakespeare and the Bible during the Golden Age of the British detective novel, and the cultural currents which novelists navigated whilst alluding to them. The first part traces the complex web of allusions to Shakespeare and the Bible which appear in the novels of Agatha Christie and Dorothy L. Sayers, examining the meanings these allusions produce. The second part explores the way in which Sayers' own collection of detective novels became a canon, on which later novelists exercised those same allusive practices. It studies allusions to Sayers' novels throughout the twentieth century and into the twenty-first, from Gladys Mitchell and P.D. James to Reginald Hill and Sujata Massey. This study reveals allusion as a shaping force at the origin of the classic British detective novel, and a continuing element in its identity.
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Table of contents
- Cover
- Front Matter
- Introduction: The Detective Novel and the Textual Crisis
- Worse than the Bible, Even: Christie’s Allusions
- A Wicked Facility in Quotation: Dorothy L. Sayers’ Allusions
- The Corpus in the Library: The Turn to Dorothy L. Sayers
- Rival Queens: Allusion to Sayers in Agatha Christie and Ngaio Marsh
- Let’s Have Eight Other Gaudy Nights: Tracing Allusions to One Novel
- Remember the Mustard Club: Allusions to Sayers in Wider Detective Fiction
- Back Matter