
Queer Reading Practices and Sexology in Fin-de-Siècle Literature
Wilde, Stenbock, Prime-Stevenson
- English
- ePUB (mobile friendly)
- Available on iOS & Android
Queer Reading Practices and Sexology in Fin-de-Siècle Literature
Wilde, Stenbock, Prime-Stevenson
About this book
This book scrutinises the production and transnational distribution of sexological knowledge at the turn of the century. The works of three transnationally mobile authors are in the focus: The Picture of Dorian Gray (1890/1891) and Teleny (1893) by, and attributed to, Oscar Wilde; 'The True Story of a Vampire' (1894) by Count Stanislaus Eric Stenbock; and Imre: A Memorandum (1906) by Edward Prime-Stevenson. The textual analysis is governed by references in all four works to Hungarian culture to demonstrate how they conceptualised 'Hungarianness' and same-sex desire simultaneously in the light of the new classificatory science of sexualities coming from German-speaking Central Europe. By foregrounding a timely literary angle and a 'culturalist' approach, this book offers non-Anglocentric insights, not bound by either language or nationality, to shed new light on the interdisciplinary reading practices of late-Victorian subjects and the ways they contributed to the emergence of fin-de-siècle queer fiction.
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Information
Table of contents
- Cover
- Half-Title Page
- Series Page
- Title Page
- Copyright Page
- Table of Contents
- Acknowledgements
- Introduction: Homophilia and Hungarophilia
- 1 (Con)texts of Same-Sex Desire: Medico-Legal Discourses and Literature
- 2 Literary Snares in Oscar Wilde’s The Picture of Dorian Gray and Teleny
- 3 Gothic Performance: Homophile Conceptual Muddle in Eric Stenbock’s ‘The True Story of a Vampire’
- 4 False Snares and Sexology in Edward Prime-Stevenson’s ‘Homosexual Romance’
- Conclusions and Afterword: Whatever Happened to Reading Hungarophilia Anthologically
- Bibliography
- Index