The Language of Music
eBook - ePub

The Language of Music

Minority Languages in Popular Music

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

The Language of Music

Minority Languages in Popular Music

About this book

This collection delves into the politics of language choice when composing and performing popular music in punk, metal, Hip-Hop and rap and provides fascinating examples of language change, resistance, reclamation and revitalisation from across the globe, giving readers insights into the work of artists, the activity and functions of scenes and music spaces. Even when absorbed in solitude, the uniting power of music holds the power to instil a sense of belonging connecting outsiders, outcasts and the dissident. From the agitation of protest songs to expressions of uniqueness and diversity, music offers a means for expressing individual struggle, suffering and disadvantage that can be heard, acknowledged and understood to bring about social action, reconciliation and education. This collection will introduce new music and subcultures to the wider academic community to explore and enjoy.

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Yes, you can access The Language of Music by Gareth R. Schott in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Ethnomusicology. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Half-Title
  3. Series
  4. Title
  5. Copyright
  6. Dedication
  7. Contents
  8. List of Figures
  9. List of Contributors
  10. Acknowledgements
  11. 1 Bicultural Collisions: Treasuring Languages of the Land via Glocalised Contemporary Music Genres
  12. 2 New Border Songs: Towards Decolonial Pluri-Languaging and Worldmaking through Minority Language Contemporary Music
  13. 3 Waiata Ā-Ringā: Māori Punk and Authentic Self in te ao hou (the Contemporary World)
  14. 4 Physical Place and Digital Space in the Context of Welsh-Language Music
  15. 5 Irish Language Rap, Strategic Liminality and Multi-Accented Narratives of Identity
  16. 6 “Fenian Cunts”: KNEECAP’s Hip-Hop Reclamation and Revitalisation of the Irish Language
  17. 7 “Afrikaans Music Is Not Afrikaans”: Race, Language and Identity in Churchil Naudé’s Kroesifaaid
  18. 8 Ancestral Andean Metal as a Decolonial Force in Colombian Society: Introducing Ynuk
  19. 9 Nordic Notes: Cultural and Linguistic World-Building in Nordic Viking and Folk Metal
  20. 10 “So They’ll Have to Learn Our Language”: Resisting Power Dynamics through Lyrics from the Bandung Death Metal Scene
  21. 11 Signed Rap: “Speakerbox” by Signmark
  22. Index