
- English
- ePUB (mobile friendly)
- Available on iOS & Android
About this book
Winner, 2011 Alpha Sigma Nu Book Award in Literature and Fine Arts
The Neural Sublime brings recent work in cognitive neuroscience to bear on some famously vexed issues in British Romantic studies. In exciting and unprecedented ways, Alan Richardson demonstrates how developments in the neurosciences can transform the study of literary history.
Richardson presents six exemplary studies, each exploring a different intersection of Romanticism and the sciences of the mind and brain: the experience of the sublime and the neuroscience of illusion; the Romantic imagination and visual imaging; the figure of apostrophe and linguistic theory; fictional representations of the mind and "theory of mind" theory; depictions of sibling incest and neo-Darwinian theories of mental behavior; and representations of female speech and cognitive developmental psychology.
Richardson's insightful analysis opens fresh perspectives on British Romanticism, pointing scholars to new developments in cognitive literary studies. He combines elements of new historicist analysis with originalāand much-neededāmodels for understanding language, subjectivity, and social behavior. Far from signaling a departure from the prevalent critical approaches of new historicism, Richardson argues, cognitive theory presents an essential complement to them.
The Neural Sublime features an array of cognitive and neuroscientific approaches, providing an engaging and readable introduction to the emergent field of cognitive literary studies.
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Information
Table of contents
- Cover Page
- Title Page
- Copyright Page
- Dedication Page
- Contents
- Preface
- CHAPTER ONE Introduction: Cognitive Historicism
- CHAPTER TWO The Neural Sublime
- CHAPTER THREE The Romantic Image, the Mindās Eye, and the History of the Senses
- CHAPTER FOUR Romantic Apostrophe: Everyday Discourse, Overhearing, and Poetic Address
- CHAPTER FIVE Reading Mindsāand Bodiesāin Emma
- CHAPTER SIX Romantic Incest: Literary Representation and the Biology of Mind
- CHAPTER SEVEN Language Strange: Motherese, the Semiotic, and Romantic Poetry
- Notes
- Works Cited
- Index