Originally published in 1989. In Prosody and Purpose in the English Renaissance the eminent scholar O. B. Hardison Jr. sets out "to recover the special kinds of music inherent in English Renaissance poetry." The book begins with a thorough and wide-ranging survey of the development of prosodic theory from the ancient ars metrica tradition to the sixteenth century, with special emphasis on such issues as the relation of verse form and genre, the relation of syntax to prosody, and the role of language reform in shaping Renaissance prosody.
The second part of the book considers the impact of prosodic traditions on specific literary works and verse forms, among them Surrey's Aeneid, Heywood's translation of Seneca's Thyestes, Sackville and Norton's Gorboduc, and the dramatic and epic verse of Marlowe, Shakespeare, Spenser, and Milton. Throughout, Hardison examines not only how poets crafted their verse but why. He explores authorial purposes ranging from technical attempts to match sound and genre to the lofty aims of improving the vernacular or ennobling culture, from the dramatist's practical search for verse forms suited to the stage to Milton's quest for a meter fit to convey divine relation.
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Prosody and Purpose in the English Renaissance
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Subtopic
English Literary CriticismIndex
LiteratureTable of contents
- Cover Page
- Copyright Page
- By the Same Author
- Title Page
- Dedication
- Contents
- Preface
- Part One: Contexts
- Part Two: Performances
- Notes
- Index
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Yes, you can access Prosody and Purpose in the English Renaissance by O. B. Hardison Jr. in PDF and/or ePUB format, as well as other popular books in Literature & English Literary Criticism. We have over 1.5 million books available in our catalogue for you to explore.