Gendered Frames, Embodied Cameras
eBook - ePub

Gendered Frames, Embodied Cameras

Varda, Akerman, Cabrera, Calle, and Maïwenn

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

Gendered Frames, Embodied Cameras

Varda, Akerman, Cabrera, Calle, and Maïwenn

About this book

Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Maïwenn is the first book to link these five filmmakers together through an analysis of the relationship between filming one's own body and the creative body. Through engaged artistic practices, these female filmmakers turn the camera to their bodies as a way to show the process of artistic creation and to produce themselves as filmmakers and artists in their work from 1987–2009. By making visible their bodies, they offer a wider range of representation of women in French film. Through avant-garde form, in which tangible corporeal elements are made image, they transform representational content and produce new cinematic bodies with the power to influence signifying practices in contemporary French culture. By rendering visible their artistic practice and praxis and their camera in their work—reflexive practices that also unite these filmmakers—these women also visually claim the role of filmmaker and creative subject. Thus they establish their authority in a film industry in which women's participation and recognition of their achievements have historically been lower than that of their male counterparts.

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Yes, you can access Gendered Frames, Embodied Cameras by Cybelle H. McFadden in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film & Video. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Title Page
  2. Acknowledgments
  3. Gendered Frames, Embodied Cameras in Contemporary French Cinema (1987–2009)
  4. Self-Authorization through Self-Representation
  5. Reflected Reflexivity: Agnès Varda’s Aging Female Body
  6. Enacted Reflexivity: Chantal Akerman par Chantal Akerman
  7. Hybrid Reflexivity: Dominique Cabrera’s Half-Body, Half-Camera
  8. Self-Construction through Faux Narratives
  9. Orchestrated Reflexivity: Sophie Calle’s Narrative Body as Artist
  10. Faux Reflexivity: Maïwenn’s Camera and the Female Body
  11. Reflections on Gendered Frames, Embodied Cameras
  12. Bibliography
  13. Index
  14. About the Author