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About this book
In the 1990s, China's economic reform campaign reached a new high. Amid the eager adoption of capitalism, however, the spectre of revolution re-emerged. Red Classics, a historic-revolutionary themed genre created in the high socialist era were widely taken up again in television drama adaptations. They have since remained a permanent feature of TV repertoire well into the 2010s. Remaking Red Classics in Post-Mao China looks at the how the revolutionary experience is represented and consumed in the reform era. It examines the adaptation of Red Classics as a result of the dynamic interplay between television stations, media censorship and social sentiment of the populace. How the story of revolution was reinvented to appeal and entertain a new generation provides important clues to the understanding of transformation of class, gender, locality and faith in contemporary China.
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Table of contents
- Cover
- Half-Title
- Series
- Title
- Copyright
- Contents
- Acknowledgements
- Introduction: Revolution and TV Drama: The Uneasy Bedfellows in the Reform Era
- 1 TV Dramas as Market Commodities, Cultural Artifacts, and Social Practices
- 2 Hybridizing the Red Classics in Post-Mao China: The Production and Consumption Context
- 3 From Chief to Chef: Remolding the Heroes
- 4 Getting the Right Mix: Revolutionary Women and Contemporary Femininity
- 5 Living Red: Production, Consumption, and Local Memory of Revolutionary Culture in Linyi
- 6 The Question of Faith in TV Drama Series
- Conclusion
- Notes
- Filmography
- Bibliography
- Index
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Yes, you can access Remaking Red Classics in Post-Mao China by Qian Gong in PDF and/or ePUB format, as well as other popular books in Social Sciences & Media Studies. We have over 1.5 million books available in our catalogue for you to explore.