eBook - PDF
Compositional Choices and Meaning in the Vocal Music of J. S. Bach
- 355 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Compositional Choices and Meaning in the Vocal Music of J. S. Bach
About this book
Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach's vocal compositions—including his Passions, Masses, Magnificat, and cantatas—with particular attention to how such meaning arises out of the intentionality of Bach's own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach's vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach's artistic intentions within the framework of broader cultural trends—social, historical, theological, musical, etc.
Such questions of compositional choice and meaning frame the four primary approaches to Bach's vocal music taken by the authors in this volume, as seen across the book's four parts: Part I: How might the study of historical theology inform our understanding of Bach's compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach's compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach's self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work's context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work's meaning(s) in Bach's time, during the time of his immediate successors, and at various points since then (including our present)?
The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach's compositions.
Such questions of compositional choice and meaning frame the four primary approaches to Bach's vocal music taken by the authors in this volume, as seen across the book's four parts: Part I: How might the study of historical theology inform our understanding of Bach's compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach's compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach's self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work's context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work's meaning(s) in Bach's time, during the time of his immediate successors, and at various points since then (including our present)?
The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach's compositions.
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Yes, you can access Compositional Choices and Meaning in the Vocal Music of J. S. Bach by Mark A. Peters,Reginald L. Sanders in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Classical Music. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Contents
- List of Music Examples
- List of Figures
- List of Tables
- Foreword
- Preface
- Paragram
- Part I. BACH’S VOCAL MUSIC IN THEOLOGICAL CONTEXT
- Part II. ANALYTICAL PERSPECTIVES
- Part III. BACH’S SELF-MODELING: Parody as Compositional Impetus
- Part IV. THE RECEPTION OF BACH’S VOCAL WORKS
- General Index
- Index of Bach’s Works (by BWV number)
- About the Editors and Contributors