
- 353 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
Authorship and Aesthetics in the Cinematography of Gregg Toland
About this book
In this three-part book-length study of the work of Gregg Toland, Philip Cowan explores approaches to co-authorship in collaborative filmmaking to propose new ways of identifying, attributing, and evaluating the creative work of cinematographers. In the first part of the study, Cowan challenges the dominant, director-centered auteur approach to film studies, critiquing the historical development of authorship theory and providing a contemporary analysis of the cinematographer's authorial role in creating images that communicate meaning through content and construction. By synthesizing and updating the work of previous film theorists to define the complexities of composition, movement, and lighting in the second part of the study, Cowan develops a new, comprehensive taxonomy of functional and aesthetic elements of the moving image. Finally, by using the co-author approach and the analytical tools developed in part two of the book, Cowan provides an in-depth re-examination of Toland's work, highlighting the historical neglect of the cinematographer's artistic contribution to filmmaking and developing a fresh approach to the analysis of contemporary cinematography in film.
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Yes, you can access Authorship and Aesthetics in the Cinematography of Gregg Toland by Philip Cowan in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film Direction & Production. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Half Title
- Title Page
- Copyright Page
- Dedication
- List of Figures
- List of Figures
- Acknowledgements
- Introduction
- Part I: Authorship
- Chapter 1: Theoretical Movements of Authorship in Film
- Chapter 2: The Death and Resurrection of the Author
- Chapter 3: Multiple Authorship in Film
- Chapter 4: The Cinematographer
- Part II: Aesthetics
- Chapter 5: Nilsen’s Representational Theory
- Chapter 6: Carroll’s Functional Theory
- Chapter 7: Functional Aesthetic Elements of Shot Composition
- Part III: Appreciation
- Chapter 8: Gregg Toland in Depth
- Chapter 9: Toland: Characteristics of the Medium and Spatial Elements
- Chapter 10: Toland: Temporal Elements of Shot Composition and Lighting
- Chapter 11: Toland as Co-Author
- Chapter 12: The Collaboration between Toland and Wyler
- Conclusion
- Gregg Toland Filmography
- Additional Filmography
- Bibliography
- Index
- About the Author