Authorship and Aesthetics in the Cinematography of Gregg Toland
eBook - PDF

Authorship and Aesthetics in the Cinematography of Gregg Toland

  1. 353 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Authorship and Aesthetics in the Cinematography of Gregg Toland

About this book

In this three-part book-length study of the work of Gregg Toland, Philip Cowan explores approaches to co-authorship in collaborative filmmaking to propose new ways of identifying, attributing, and evaluating the creative work of cinematographers. In the first part of the study, Cowan challenges the dominant, director-centered auteur approach to film studies, critiquing the historical development of authorship theory and providing a contemporary analysis of the cinematographer's authorial role in creating images that communicate meaning through content and construction. By synthesizing and updating the work of previous film theorists to define the complexities of composition, movement, and lighting in the second part of the study, Cowan develops a new, comprehensive taxonomy of functional and aesthetic elements of the moving image. Finally, by using the co-author approach and the analytical tools developed in part two of the book, Cowan provides an in-depth re-examination of Toland's work, highlighting the historical neglect of the cinematographer's artistic contribution to filmmaking and developing a fresh approach to the analysis of contemporary cinematography in film.

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Yes, you can access Authorship and Aesthetics in the Cinematography of Gregg Toland by Philip Cowan in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film Direction & Production. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Cover
  2. Half Title
  3. Title Page
  4. Copyright Page
  5. Dedication
  6. List of Figures
  7. List of Figures
  8. Acknowledgements
  9. Introduction
  10. Part I: Authorship
  11. Chapter 1: Theoretical Movements of Authorship in Film
  12. Chapter 2: The Death and Resurrection of the Author
  13. Chapter 3: Multiple Authorship in Film
  14. Chapter 4: The Cinematographer
  15. Part II: Aesthetics
  16. Chapter 5: Nilsen’s Representational Theory
  17. Chapter 6: Carroll’s Functional Theory
  18. Chapter 7: Functional Aesthetic Elements of Shot Composition
  19. Part III: Appreciation
  20. Chapter 8: Gregg Toland in Depth
  21. Chapter 9: Toland: Characteristics of the Medium and Spatial Elements
  22. Chapter 10: Toland: Temporal Elements of Shot Composition and Lighting
  23. Chapter 11: Toland as Co-Author
  24. Chapter 12: The Collaboration between Toland and Wyler
  25. Conclusion
  26. Gregg Toland Filmography
  27. Additional Filmography
  28. Bibliography
  29. Index
  30. About the Author