
eBook - PDF
Guerrilla Music
Musicking as Resistance, Defiance, and Subversion
- 259 pages
- English
- PDF
- Available on iOS & Android
eBook - PDF
About this book
Guerrilla Music: Musicking as Resistance, Defiance, and Subversion explores human initiations and responses to music as a process and product intrinsically part of our culture, history, place, time and ecological musical worlds. The contributors challenge scholarly approaches wherein music is detached from the social relationships in which it is produced, transmitted, used and judged. 'Guerrilla' is a trope long applied to socio-political machinations, human conflict and confrontation. Guerrilla Music provocatively explores research involving music practices, stories, communities and musickers worldwide that resist, defy and subvert by silence and non-compliance, reluctant subordination, subversive depowering, resistive counterpoint, or destructive, violent dismantling. Contexts spanning the subcultural local, glocal and universal highlight the potency, passions, actions and life worlds of music, musicians and those that become engulfed in musical maelstroms that incite change. Guerrilla Music both invigorates and advances scholarly debates about social power, colonisation and difference by exploring the social semiotics of music making and communities, identifying powerful new ways of understanding human communication, and what musicking means in the twenty-first century.
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Please note we cannot support devices running on iOS 13 and Android 7 or earlier. Learn more about using the app.
Yes, you can access Guerrilla Music by Leon de Bruin,Jane Southcott in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Music. We have over one million books available in our catalogue for you to explore.
Information
Table of contents
- Cover
- Contents
- Surveying the Terrain
- Expeditiousness and Immediacy
- Music as Provocation, Resistance, Sedition and Rebellion
- Resistance between Local and Global
- Resisting State Crimes through Music
- ‘The Battlefield’
- Recurrence and Intermittence
- That Drum Won’t Beat
- Sociomusical Identities through Composition and Staging
- Politics, Protest and Posturing
- Disrupting Patriotic Discourse
- Perseverance and Perpetuity
- Musicking Traditions
- Listening to a Uyghur Love Song in the Time of Mass Incarceration
- Encountering Enduring Voices, Spirits and Resistances
- Indigenous with Attitude
- The Subtle Art of Resistance
- Reviewing the Terrain, and Further Explorations
- Index
- About the Editors and Contributors