Reel Photos
eBook - PDF

Reel Photos

Balancing Art and Truth in Contemporary Film

  1. 223 pages
  2. English
  3. PDF
  4. Available on iOS & Android
eBook - PDF

Reel Photos

Balancing Art and Truth in Contemporary Film

About this book

Even in an age when the photograph has changed from a physical object into a data file that can be easily manipulated, we tend to believe what we see. But photographs can and do lie. As an object in a film, a photograph's meaning and function can be even more malleable and deceiving, as new developments in technology are altering how we perceive reality.

In Reel Photos: Balancing Art and Truth in Contemporary Film, Wendy Sterba examines the use of photographs in cinema to explore issues of objectivity, subjectivity, fabrication, and fact. This study first looks at the traditional use of the photograph in films such as Blow-Up and then considers similar issues as they relate to the search for truth in detective films like Along Came a Spider, The Bone Collector, and Forgotten. Subsequent chapters explore ambivalence and photographic objectification in films about art photography, including The Governess, Fur, and Closer. Other movies discussed include Inception, Paparazzi, Under Fire, and Somebody Has to Shoot the Picture.

By examining the function of the photograph in movies rather than the role of film photography as art, Sterba provides an innovative approach to cinema studies. Utilizing theory in an intelligent but easily understandable way, this book allows readers to re-examine the role of authorship and the value of authentic art. Reel Photos will appeal to students and scholars of cinema, as well as anyone interested in the aesthetics of art and truth in film.

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Yes, you can access Reel Photos by Wendy Sterba in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Film History & Criticism. We have over one million books available in our catalogue for you to explore.

Table of contents

  1. Contents
  2. Acknowledgments
  3. Introduction
  4. Ch01. The Loss of Photographic Objectivity
  5. Ch02. The Photograph in the Inverted Noir Film
  6. Ch03. Photographic Evidence and Detecting Truth
  7. Ch04. Alice in Furs
  8. Ch05. Media Hype and Mona Lisa
  9. Ch06. The Portrait Photographer
  10. Ch07. Change in Concept, Circuits, and the Hyperreal
  11. Ch08. Playing on the Periphery of the Virtual
  12. Ch09. Over the Edge?
  13. Ch10. Adorno, Benjamin, and Hope for the Photograph in The Good Night
  14. Filmography
  15. Bibliography
  16. Index
  17. About the Author