Rhythm in Postdramatic Performance Process
eBook - ePub

Rhythm in Postdramatic Performance Process

Voyages into the Work of Mime Omnibus, Dairakudakan and SITI Company

  1. English
  2. ePUB (mobile friendly)
  3. Available on iOS & Android
eBook - ePub

Rhythm in Postdramatic Performance Process

Voyages into the Work of Mime Omnibus, Dairakudakan and SITI Company

About this book

Combining theory and historiography, this book presents a new means for considering rhythm in postdramatic performance by examining the creative processes of three major international companies: Mime Omnibus (Montreal, Canada), Dairakudakan (Tokyo, Japan), and SITI Company (New York, US).

While rhythm is unanimously acknowledged as fundamental to performance, critical in every role from performing and directing to design and dramaturgy, studies on the subject are limited and the phenomenon remains obscure. This book remedies that, offering a unique focus on 'rhythmanalysis', bringing distinctive and insightful attention to rhythm as permeating key areas of performance process.

By focusing on recent work from these three major companies, the book provides a glimpse into each company's latest devising processes, enriched by scholarly and archival research, while personal interviews give voice to performers often absent in performance analysis and criticism.

Through its theoretical and practical offerings, this book brings greater understanding by putting forth a simplified model that can be applied to both interdisciplinary practices and theoretical analysis. The reader gains not only a greater understanding of rhythm in contemporary performance, but also significant insights into the working methods of each company.

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Yes, you can access Rhythm in Postdramatic Performance Process by Sebastian Samur in PDF and/or ePUB format, as well as other popular books in Media & Performing Arts & Performance Art. We have over one million books available in our catalogue for you to explore.

Information

Table of contents

  1. Cover
  2. Halftitle Page
  3. Title Page
  4. Contents
  5. List of Figures
  6. Acknowledgments
  7. Prologue
  8. Introduction
  9. 1 In Search of Rhythm: Historical Concepts for Understanding the Evanescent
  10. 2 Imagining a Rhythmanalytical Framework
  11. 3 Rhythm in Mime Omnibus’ Training and Recent Performances
  12. 4 Rhythm in Dairakudakan’s Training and Kochuten Performances
  13. 5 Rhythm in SITI Company’s Training and Recent Performances
  14. 6 General Comparisons, Evaluation, and Conclusion
  15. Notes
  16. Bibliography
  17. Index
  18. Imprint